Ace Double Reviews, 61: The Sky is Falling, by Lester del Rey/Badge of Infamy, by Lester del Rey

Ace Double Reviews, 61: The Sky is Falling, by Lester del Rey/Badge of Infamy, by Lester del Rey (#76960, 1973, $0.95)

by Rich Horton

Leonard Knapp was born on June 2, 1915, though by the time he began publishing science fiction stories in 1938 he was using the name Lester del Rey, and continued to do so until his death in 1993. He told people various versions of his "true" name, typically a variation on "Ramon Felipe Alvarez-del Rey", and only after his estate was settled was it definitively settled that his birth name was Knapp. Throughout his career he used other pseudonyms as well, most notably Erik Van Lihn and Philip St. John. He made an early mark as a writer with stories like "Helen O'Loy" and "Nerves", each of which appeared in one of the Science Fiction Hall of Fame anthologies, but in later years he was often blocked. However, he had a major impact as an editor, at magazines like Space Science Fiction, and more notably at Ballantine Books, which SF/Fantasy imprint was renamed "Del Rey Books" after he and his wife Judy-Lynn. Lester Del Rey's most famous discovery was Terry Brooks -- he acquired and edited The Sword of Shannara and it became a smash bestseller. On the occasion of what would have been his 104th birthday, here's a look at his only Ace Double.

As I've noted before, many of the SFWA Grand Masters published in Ace Doubles. One of my goals is to review Ace Doubles by each of the Grand Masters who did have an Ace Double. Lester Del Rey is one of the interesting cases. His only Ace Double was one of the last. This book appeared in 1973, as the series was limping to a conclusion. Interestingly, this same pairing appeared earlier as a double book from a different publisher, one of the more unusual "double" series ever. This was the Galaxy Magabooks, put out by Galaxy magazine between 1963 and 1965. These "books" were in the format of issues of Galaxy, and they paired two short novels by the same author back to back (not dos-a-dos). The Sky Is Falling/Badge of Infamy was the first such book. The other two were Theodore Sturgeon's "... And My Fear is Great ..." paired with "Baby is Three" (two very short novels indeed, really indisputably novellas), and Jack Williamson's After World's End paired with The Legion of Time. (You can't fault the choice of authors -- two Grand Masters and the third author, Sturgeon, clearly the best of the three, not a Grand Master due only to a relatively early death.)

(Cover by Virgil Finlay(?))

Both of Del Rey's stories had appeared earlier in magazines. "Badge of Infamy" was in the June 1957 Satellite. The version in the 1973 Ace Double, presumably the same as the 1963 Galaxy Magabook, is about 33,000 words. The Ace Double includes a note to the effect that the 1957 publication was "shorter and earlier". Earlier is undeniably the case, but the story took up 88 pages in that issue of Satellite -- I haven't seen that issue, but for 88 pages to translate to about 33,000 words would be about right (counting illustrations). The Sky is Falling, on the other hand, is definitely revised from its earlier appearance. This was under the title "No More Stars" in Beyond Fantasy Fiction, July 1954 (a sister publication of Galaxy). "No More Stars" was published as by "Charles Satterfield", a pseudonym generally associated with Frederik Pohl. The references I have cite "No More Stars" as by Pohl and Del Rey in collaboration. It is about 17,500 words long -- The Sky is Falling is twice that length, a radical revision throughout. (Though the basic plot is virtually identical -- but there are many new scenes, and expansions to existing scenes.)


This caused me to wonder about stories that first appeared as collaborations, but were expanded to novels under only one name. Three other examples come immediately to mind: James Blish and Damon Knight's story "The Weakness of RVOG" became Blish's novel VOR, Poul Anderson and F. N. Waldrop's novelette "Tomorrow's Children" (Anderson's first published story, and Waldrop's only story -- and I wonder how much he really contributed) became Anderson's novel Twilight World, and Samuel R. Delany and James Sallis's novelette "They Fly at Çiron" became Delany's novel They Fly at Çiron. Anyone have any further examples?

 [I wrote this in 2004 or so -- while I stand by my critical evaluations below I've softened on my disputes with the Grand Master decision in this and other cases, partly because SFWA has gone to one per year instead of a maximum of six per decade.] I am on record as not approving of the decision to make Lester Del Rey a Grand Master. I think a tenuous case can be made based on his editorial influence. He was editor of several minor magazines in the 50s, under various names (and he used to publish his own work under pseudonyms, so that as "Philip St. John" he edited SF Adventures and published "Lester Del Rey", and as Lester Del Rey he edited Space and published "St. John". Much more importantly, he was very influential in the 70s and 80s as an editor for Ballantine, and the Ballantine imprint Del Rey was named jointly after he and his wife Judy Lynn. In particular, Lester Del Rey discovered Terry Brooks's The Sword of Shannara, edited it rigorously, and made it a bestseller. In so doing he was crucial to popularizing the Tolkien-influenced subgenre we now call EFP, for "extruded fantasy product". So much for Del Rey the editor -- but my main interest is always in the writer. As a writer he was responsible for two stories in the SF Hall of Fame -- one a very good novella about a nuclear accident, "Nerves"; the other a forgettable and schmaltzy story about a robot "wife", "Helen O'Loy". Besides those stories there were a few more decent efforts ("For I am a Jealous People", "The Day is Done", "To Avenge Man", not much else); and several novels, many of which showed a quirky imagination and a desire to explore unpopular ideas, but none of which are really memorable. He really didn't publish all that much considering the length of his career. To my mind, it simply doesn't add up to a Grand Master's quality of work, nor even quantity.

Still, Del Rey was a pro. And he was a decent writer, and a writer who generally made an effort to have something to say. So both the stories in this Ace Double are readable, and they have some intriguing aspects. But neither is particularly special.

(Cover by Alex Schomburg)

Badge of Infamy opens with "the pariah who was Dr. Daniel Feldman" in a cheap flophouse. He diagnoses a man dying, but can do nothing for him. It seems that medical care is strictly regulated in this future -- and that anyone who performs medical care, or, worse, research, outside of an approved hospital will be severely punished. If the patient survives -- or, indeed, has his life save, as (we learn) in the case that made Feldman a pariah -- the punishment is loss of license. If the patient dies, even if death was inevitable, capital punishment applies. It seems that Feldman was a rising star in the profession before treating a friend who was injured in the backwoods -- now he has been abandoned, even by his wife, a doctor herself.

The dead man in the flophouse turns out to have a certificate as a spaceship worker, and Feldman leaps at the chance to assume the other's identity and take a job on a ship heading for Mars. He is found out and expelled on Mars. There he learns that the maximally evil Earth guilds are squeezing the Martians (i.e. human colonists, -- the old Martians are long dead), and those Martians in the rebellious villages in particular. There is only one hospital on Mars, and so treatment is very hard to come by. Feldman becomes a secret doctor. He faces death if he is discovered, and his problem is exacerbated by the fact that his wife has come to Mars to set up a second hospital.

He discovers a long-incubating Martian plague, that likely has already spread to Earth. Unless a cure can be found, the populations of both planets will be decimated. But when he tries to alert authorities to this danger, he is arrested for performing illegal research. He is sentenced to die.

Well -- what do you think? Will he really die? Will his psychotic wife realize that her support of the psychotic rules about medical research is stupid? Will she have to get the plague first to realize her mistake? Will the Martians rebel? C'mon -- we all know the answers! The basic problem with the story is that the bad guys are so absurdly evull that there is no believing in them. As 50s SF adventure it works OK -- it's quite competently done, reads swiftly, holds the interest, but it doesn't really make much sense at all.

(Cover by Vidmer)

The Sky Is Falling is on the whole a more ambitious and interesting work, though in the final analysis
not really successful either. Dave Hanson wakes up in pain. His last memory is of a bulldozer at a construction site in Canada falling onto him. If he has been saved, this hospital room seems strange, with people making strange gestures and wearing strange clothes, and talking about strange things.

He eventually learns that he is in some other world. He has died and been reconstituted for his engineering talent -- it appears that this world is a Ptolemaic universe, complete with a physical sky on which the stars and planets and sun are fixed. The sky is cracked, and they need someone to fix it. Unfortunately, Dave Hanson isn't the right guy -- his uncle David Hanson is the engineering genius, Dave is just a computer geek.

But he makes a brave try, then is kidnapped by the opposition, which believes that it is destiny that the sky crack open, and the world "hatch" from its egg. He is accompanied by a beautiful woman who misperformed a spell and ended up spelling herself in love with him by mistake. (Alas that she is a "certified and registered virgin".) It's not clear which side is right and which wrong, but perhaps it doesn't matter, until it occurs to someone that Dave's computer knowledge, combined with magical principles and an orrery, might actually be enough to repair the sky.

This is also pretty goofy stuff, but also kind of original. It gets points for the originality, for trying something new. But in execution it is sort of slapdash, and never really convincing.

Birthday Review: Stories of Alec Nevala-Lee

Another birthday today is that of Alec Nevala-Lee. Alec is doubtless best known to most people as the author of the current Hugo nominee for Best Related Work, Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, which is a look at Campbell's life and career and influence along with the careers of and his interactions with three of his most famous (or infamous) and important contributors. It's a wonderful book, definitely recommended for anyone interested in the history of the field, or indeed in 20th Century America.

He has also written a number of very intriguing stories for Analog over the past decade and more. I've reviewed a number of these for Locus, and a collection of those reviews is appended. His latest story, "At the Fall", from the May-June Analog, is also very fine, and my review is in the June Locus, due out any day now.

Locus, June 2011

In the June Analog I found Alec Nevala-Lee’s “Kawataro” interesting. Like a couple other stories this month, this is based on fairy tales to an extent, less a true tale in this case than the Japanese fantastical water creature normally called a “kappa”, but also sometimes called a “kawataro”. Here a cameraman comes to a village of “burakumin” – historically low caste people – to help a linguist who is studying the independently evolved sign language the local deaf population has created. All this is under threat because the village is likely to be combined with a neighboring village. Another threat is embodied in the disappearance or murder of a few people – attributed by some to a “kawataro”. As this is Analog, we expect an SFnal explanation, and to an extent we get one, but not the first one that came to my mind!

Locus, November 2011

Alec Nevala-Lee has been a nice recent discovery at Analog. His latest is “The Boneless One” in the November issue, about an expedition to the Bermuda Triangle (well, almost) in search of scientific discoveries – and profit and fame. A potentially remarkable discovery – luminous octopuses – becomes a bone of contention when their tight schedule suggests they should turn back. The contention turns murderous – and at the heart of it all is a science-fictional idea based on real science. A solid piece of SF, and a darker story than usual for Analog.

Locus, February 2012

At Analog for March, Alec Nevala-Lee again shows his range, in “Ernesto” taking us to the Spanish Civil War, and Ernest Hemingway, who witnesses a church at which seeming miraculous cures have occurred. The turns out to be a political problem as well as a religious (or scientific?) question, and the story lays out the political background effectively while giving a nice Sfnal treatment of the miracles.

Locus, August 2012

The best story in the September Analog is Alec Nevala-Lee's “The Voices”. January is a young woman who hears voices, as did her grandmother. The older woman committed suicide, and January, desperate to escape them, has agreed to join a research project using new technology to stimulate the brain to stop her auditory hallucinations. Now January's hallucinations are quite specific – particularly a familiar voice called Elfric, who sternly warns her against participating in this project. But she continues, with some success. Then she meets a young colleague of the leader of the project, who has been analyzing recording of the voices she hears – something that rather surprises her. This is an SF story, so we expect to learn that the “voices” are real, and that they will be important to January – and so it turns out, though not quite in the way I might have expected. I liked best the delicately spooky twist towards the end, that I suppose I should have seen coming.

Locus, August 2013

I don't want to suggest that Analog is abandoning its core mission. For one thing, “The Oracle” (and “Tethered”) are both quite traditional in their Sfnal subject matter, and any shift they signal is more a matter of attitude – and also something as simple as roster – the authors are new names for the magazine, and that in itself signals change. And I should note, Schmidt was never shy about developing new writers. One of Schmidt's best recent discoveries, Alec Nevala-Lee, is back in July-August with “The Whale God”, a fine story set in Vietname during the war. One of Nevala-Lee's idea engines is to present a situation which suggests a fantastical or science-fictional premise, and then to turn the idea on its head, not so much by debunking the central premise, or explaining it away in mundane terms, but by giving it a different, perhaps more scientifically rigorous, science-fictional explanation. Here an American officer, a doctor, is presented with a problem – a beached whale, which is complicated because the villagers revere whales, particularly “the whale god”. He has other problems – feelings of being watched, and additional discomfort. In an attempt to win the “hearts and minds” of the villagers, he decides on a risky plan to try to save the whale – a plan complicated when more whales are beached. The resolution is low key, only modestly science-fictional, but the story is well told and well-characterized, with a subdued theme inviting reflections on the whole American adventure in Vietnam, and inevitably on other military actions.

Locus, April 2014

The May Analog is a very solid issue. The lead story, “Cryptids”, by Alec Nevala-Lee, is about an expedition to a an obscure island near New Guinea. It's lead by Karen Vale, a respected scientist, but it's sponsored, to some extent, by the pharmaceutical company for which Amanda Lurie, a former student of hers, works. Karen is just interested in mapping bird species in the New Guinea islands, but Amanda is looking for the source of the batrachotoxins found in a bird, the Hooded Pitohui, because the complex alkaloids offer a lot of pharmaceutical potential.  The bird eats a certain beetle, and the question is, “What does the beetle eat?”. A small group tracks the birds to an uninhabited island … where they find something much more interesting, and dangerous. Cool stuff.

Locus, October 2015

Alec Nevala-Lee's “Stonebrood” (Analog, October), is also interesting, about Marius, who is working a project to map the tunnels left by Pennsylvania coal-mining in an effort to effectively put out a long-burning underground fire. Marius has a dark secret in his own past, for which he did time, and this seems to be intertwined with a somewhat hostile ex-con he's employing, and with strange sounds he starts hearing, as well as the tiny drones used in the underground mapping. The resolution is rational, as usual with Nevala-Lee, and interesting enough, though it is Marius' personal history that ends up being more impactful.

Locus, February 2017

Alec Nevala-Lee takes on climate change, wind power, and bird behavior in “The Proving Ground” in the January-February Analog. Haley Kabua is a woman of Marshall Islands ancestry, part of a group trying to recolonize the islands, mostly sunk due to sea level increases. They have built a seastead, and our adding wind towers for their energy needs, when birds start acting very strangely. A couple of consultants for the corporation that has been sponsoring their effort are investigating. The mystery turns on unexpected effects of a sort of Hail Mary attempt at carbon sequestration. The story is an effective mix of interesting scientific speculation, and plausible near future political machinations, with a realistic resolution.

Locus, May 2018

Analog has also been on a hot streak lately, and this issue is no exception. The lead novelette, “The Spires” by Alec Nevala-Lee, offers an interesting explanation to an old Fortean mystery – the appearance in the Alaskan sky of images of a distant city, and wraps a strong character-based adventure around it. Bill Lawson is a bush pilot in 1930s Alaska, and he is hired by a couple to fly them up to Glacier Bay. They are trying to study the phenomenon of the city images, and that’s where one old prospector claimed to have seen them. He takes them there (illegally), and then a storm damages the plane. He finds himself battling not just nature and the problem of fixing his aircraft, but his own dark temptations, and his skepticism about the couple’s beliefs. The mystery stays mostly a mystery, with a plausible and SFnal explanation hinted at.

"Newish" Bestseller: The Girl's Guide to Hunting and Fishing, by Melissa Bank

The Girl's Guide to Hunting and Fishing, by Melissa Bank

a review by Rich Horton

This blog is ostensibly devoted to (besides SF related subjects) "Old Bestsellers" and "Forgotten Books". But sometimes I have to cheat, especially when, Due To Weddings, I haven't finished my latest old book. So I've exhumed a review I did of a book that was quite a success when it first appeared 20 years ago. Alas, the author has published just one more book, a collection of short stories in 2005, and as a result, I sense this book may be in danger of being truly a "forgotten book", even so soon. And it's not a bad book, so I'm happy to bring it some notice. I wrote this in 2002 or so.

The Girl's Guide to Hunting and Fishing, by Melissa Bank, attracted a fair amount of praise when it appeared in 1999, and I believe also sold very well. I had noted it in the back of my mind as potentially interesting. At my brother's house last month I noticed a copy on his bookshelf. It seems his wife had read it and enjoyed it. I started into the first story, upon which my brother asked, half-jocularly (but probably no more than half,) "Why are you reading THAT! It's a chick book." Which indeed it is, but a good chick book is good reading for men as well!

At any rate, as if it were a message to me, I saw a copy in a remainder store later in our vacation trip, so I bought it. It's a collection of closely linked stories, what would be called a fixup and marketed as a novel in the SF field. As a mainstream book, it is genteelly labelled "Fiction", no mention of whether it's stories or a novel. In fact all the stories but one are about Jane Ravenal, a young woman from New Jersey, who becomes an editorial assistant and then something in advertising in New York. (The other story is given a tenuous link to Jane (it's set in another apartment in the building she is living in, and in a later story we are allowed to see Jane witness an event from this story, though she doesn't know at all what's going on).) The unifying link is, not surprisingly, her search for, well, let's just call it true love. The stories are closely enough linked to make the collection work as sort of a novel, and indeed bits and pieces of the later stories wouldn't make sense without having read the earlier stories.

The opening story is set at the Ravenal family's summer cottage. Jane is 14 or so. Her 20 year old brother brings home a 28 year old girlfriend, and we witness the arc of that relationship through Jane's eyes. The next story tells of a somewhat disastrous vacation with her first live-in boyfriend. A couple stories tell of various stages in her affair with a much older novelist and editor. There is the unrelated story, a mother telling of her son and his curious relationship with his ex-wife and his new lover. One story tells of an affair with a hunky but ultimately unsatisfactory man. Interleaved with all of these are other aspects of her life, particularly her relationship with her parents (generally quite good). The final story, inevitably, is about the beginnings of what seems destined to be "true love".

I quite liked the book. Jane's voice is well-maintained. It's funny, well-observed, breezy, at times perhaps a bit too much so. The last story was a bit pat -- we know going in how it's going to end, pretty much. (Though it does contain a nicely judged dissection/parody of a book clearly meant to be the notorious The Rules, that book which advised women to act like idiots to "catch" a man.")

Birthday Review: Needle, Iceworld, and a couple stories by Hal Clement

Today would have been Harry Clement Stubbs' 97th birthday. He wrote SF, of course, as Hal Clement. I haven't written a lot about his work -- I read the greater part of it before I was writing. But here are a few short things, about his first two novels (which I read in serialization), and a couple of lesser known shorter works.

Needle

(Cover by Paul Orban)

And finally, I read Hal Clement's Needle, which I had never before read.  It's pretty decent, the story of a shape-changing, symbiotic, alien who comes to Earth chasing a criminal of his race.  To get around, he needs to colonize a human, and he chooses a 15-year old boy, Bob Kinnaird.  Unfortunately, Bob isn't a permanent resident of the Pacific Island near which the aliens crashed -- so the alien, called simply The Hunter, must find a way to communicate with Bob, and then return to the island to search for the other member of his race. The story turns on the alien deducing which human must be carrying the other alien -- I'm proud to say that I figured out who it was for the same reasons the alien did.

One problem, though: I read it in the Astounding serialization, May and June 1949.  It occurred to me that it was a bit short for a full-length novel -- only 40,000 words.  So I had a glance at the book -- which it turns out is almost twice the length of the serial -- 78,000 words or so.  Obviously, I haven't yet read the "Needle" most people are familiar with. Oh well, I'll get to it sometime. [I did, eventually, and I think it's a successful expansion, not a padding.]

Iceworld

(Cover by H. R. Van Dongen)

I read  Iceworld, which was Hal Clement's second novel, in its serialization, Astounding for October,
November, and December 1951.  The trick premise is that the title "iceworld" is Earth: the main character is an alien drug investigator, Sallman Ken, from a hot planet where he breathes sulfur.  Earth is unimaginably cold to him, but it's also the source for "tofacco", a terribly addictive drug (to the aliens) being smuggled in by the bad guy.  Ken is hired (he's working undercover) by the bad guy to try to duplicated Earth conditions on Mercury. (The sun side of Mercury is hot enough for the aliens (in 1951, we still though Mercury kept one face always to the Sun).)  He devises a means of descending to Earth's surface, in a special suit, and makes contact with the remote family that has been trading cigarettes for precious metals. Naturally, he devises a way to foil the bad guy in the end.  It's kind of engaging, but a bit silly, and really not very plausible to me, even using 1951 science.  I noted that Clement, a high school science teacher, makes his main character an alien high school science teacher, recruited as a drug investigator because of his "generalist" science abilities.

Astounding, July 1946

"Cold Front" is about a mildly rascally crew of humans who come to an alien planet, intending to open trade with the locals. They represent themselves as official envoys of the human Federation, but in fact they hope to establish exclusive contracts before revealing their discovery and status as a fait accompli. But what to the aliens want? It turns out the planet is uncomfortably cold, and a meteorologist proposes various elaborate schemes to alter the climate. But the aliens reject all these, and seem ready to have nothing more to do with the humans. The story seems set to revolve around the human criminals being unmasked -- but in the end it turns on a minor and somewhat silly scientific detail, and on the aliens' concern about their "inferiority". One of Clement's lesser outings, I thought

If, May 1963

"The Green World" is set on a planet colonized by humans but regarded as anomalous. It seems to be only 40,000,000 years old but it has life that doesn't seem likely to have evolved in that short a time. It also has some extremely dangerous fauna. A small scientific team travels to a remote site to study the history of this world geologically and archaeologically. They find some intriguing stuff, including ambiguous evidence of an old city, of a fossilized intelligent-seeming being, and of possible technological remains. The ultimate explanation, seemed to me, was just a tad, well, anti-climatic.

Absolute Magnitude, Winter 1999

Also good was a very long story by Hal Clement, "Exchange Rate". Like many of Clement's stories, this was about a dangerous expedition on an alien planet. 

Birthday Review: Stories of Geoffrey Landis (plus his novel Mars Crossing)

Birthday Review: Stories of Geoffrey Landis (plus his novel Mars Crossing)

Today is also Geoffrey Landis' birthday. He's really good at short hard SF, and here's a set of my Locus reviews of his short fiction (alas, not as much as I'd like!) I've also added my review of his only novel, Mars Crossing.

Locus, July 2002

The best of the many short stories in the July-August Analog is Geoffrey A. Landis' "Falling Onto Mars", a cynical but still hopeful story of the founding of Martian civilization in a clash between a scientific base and the prisoners that Earth has cruelly abandoned on the barely habitable planet.

Locus, November 2002

The October/November issue of Asimov's is another impressive one. Effective if old-fashioned is Geoffrey A. Landis' "At Dorado", about a barmaid at a wormhole station. There is a wreck, and she fears her lover might be a victim. All this, and the general shape of the working out of the story, is familiar, going back to countless sea stories, but Landis adds a stark, moving, twist based on the physics of wormhole travel.

Locus, February 2004

DAW's "monthly magazine" of themed anthologies offers a reliable if seldom exciting source of new SF and Fantasy. 2004 opens with one of the stronger books in the series, Gregory Benford's Microcosms, about closed environments, "small worlds", whether they be small universes, computer simulations, asteroid habitats, or something else. I  quite enjoyed Geoffrey A. Landis's very short "Ouroboros" (a reprint from Asimov's in 1997), again a clever and twisty piece, about a computer-simulation of a universe -- or several.

Locus, October 2005

Financial manipulation is also at the heart of Geoffrey Landis’s fine “Betting on Eureka” (Asimov's, October-November). Eureka is the name given an asteroid said to be stuffed with valuable ores – but the two discoverers are both dead. The narrator is an information broker, and he encounters a down on his luck miner who says he was the partner of the other two – and that he can figure out where they must have found the rock. Why is he telling this story? Well, information is valuable, and so especially is its effect on financial markets. This is a clever and amusing story.

Locus, January 2008

The January-February Analog double issue includes an update of Ross Rocklynne’s classic “The Men in the Mirror” by Geoffrey A. Landis: “The Man in the Mirror”, in this case about one asteroid miner trapped in a perfect mirror.

Locus, September 2010

Geoffrey Landis offers a novella in Asimov’s for September. “The Sultan of the Clouds” is told by David Tinkerman, a technician who is a sort of companion or assistant to Leah Hamakawa, a brilliant woman and terraforming expert. David, of course, desperately loves Leah, who barely notices him. They live in a colonized future Solar System, mostly dominated by the descendants of a few people or corporations that succeeded in staying in space. One of these people is the scion of the Nordwald-Gruenbaum family, which controls much of Venus. He summons Leah to his floating city in Venus, for mysterious reasons. Isolated from Leah, David learns something of the real politics of Venus, complexified not only by cities independent of the Nordwald-Gruenbaums, but also by the social structure of Venus, built around “braid marriages”. David also learns that the heir to the Nordwald-Grueneman holdings has some interesting plans for Leah, both in a personal and scientific sense. It’s fascinating and colorful stuff, with some interesting social details and a neat conclusion based on a hard SF idea (literally).

Mars Crossing, by Geoffrey Landis

Geoffrey Landis' first novel is Mars Crossing. Add another to the huge list of recent Mars books.  The setup for this book is kind of depressing: the world is going to pot. Two expeditions, one Brazilian and one American, have made it to Mars but have failed to return. There is only one more chance: the backup American expedition can go, though only with gimmicky financing (a lottery for a chance to accompany the expedition). An international crew (one Thai, one Canadian, one Brazilian, and three Americans including the lottery winner) successfully lands on Mars, but almost immediately disaster again strikes. The vehicle that was sent in advance, to brew up the fuel for the return, fails spectacularly, killing one member of the expedition and losing all the return fuel. They realize that their only hope for return is to trek to the North Pole, where the Brazilian return vehicle was left, and try to find a way to adapt that vehicle to their needs.

The trek is exciting and dangerous and very well described. Landis has great fun with putting obstacles (literally and figuratively) in his characters' way. The landscape of Mars is extremely interestingly described and so is the technology.

The characters are a bit less successful. They seem drawn from bestseller-land -- appropriately diverse, appropriately screwed up, full of dark secrets in their pasts.  Landis works very hard at trying to portray each character -- to give each character a set of tics and problems, and in so doing I felt that he protesteth too much, and that the effort showed, the sweat showed. They did not come alive for me. Also redolent of bestseller-land were the very short chapters -- seeming to be sized to fit presumed short attention spans. It should be said that that technique seemed to work in making the book a rapid read. At any rate, in terms of characterization and writing style, and also to some extent in the care lavished on presenting the technology, I thought the book mildly reminiscent of Ben Bova's recent Insert Name of Planet Here series.

I should say that in the final analysis I quite enjoyed reading Mars Crossing.  Relative to the best of Landis' short fiction it's a bit of a disappointment, but looked at as a first novel, and as a piece of hyper-hard SF, it's pretty good. 

Birthday Review: A Posse of Princesses and Senrid, by Sherwood Smith

Today is Sherwood Smith's birthday. I've known Sherwood online for a couple of decades, but we first met in person last fall in Montreal, at Jo Walton's immensely enjoyable convention Scintillation. Sherwood signed my copy of A Posse of Princesses there. I've read most of her books, many of which are set in the same secondary world she's been playing with since her teens. Last year on this date I posted a review of Inda, a wonderful novel. Today I'm posting reviews of a couple of lesser works from the same milieu, though when I less "lesser" I should emphasize that they are still extremely enjoyable. I've appended a few reviews I did for Locus of her short fiction.

A Posse of Princesses, by Sherwood Smith

(YA Angst (Norilana), ISBN: 978-1-934648-26-1, $22.95, 300 pages, hc) March 2008

A review by Rich Horton

The new small press Norilana has been very busy lately, and one of the best things they are doing is releasing a number of Sherwood Smith Young Adult stories under their “YA Angst” imprint. The second of these I’ve seen is A Posse of Princesses. This is a confection, a delight, just a good deal of sensible fun.

Rhis is the younger daughter of the King of Nym, a small mountainous country on a fantasy world that at least resembles the worlds of Smith’s other novels, such as Crown Duel, Inda, and the Wren series. Her brother and his dull, strict, wife are to be the rulers after her father, and her older sister will be the Court Magician. So, like younger children of royalty throughout history, Rhis’s destiny seems a politically useful marriage. But Rhis is a romantic girl, fascinated by ballads and adventure stories, to the disgust of her sister-in-law. And furthermore Nym is isolated and unconventional, and Rhis doesn’t really know anyone outsider her family. A chance to remedy this situation comes when the Crown Prince of the much larger country Vesarja invites a large group of nearby royalty and nobles to a few weeks visit. It is clear that Prince Lios is looking for a wife. And even if Lios is not the man, surely there will be other eligible young men in attendance.

So Rhis journeys to Vesarja, accompanied by her sister-in-law’s younger sister Shera, whom Rhis is delighted to learn is not at all the stuffy prude her (much-vetted) letters made her appear. The two new friends come to Vesarja, and Rhis immediately falls hard for the devastatingly handsome Prince Lios. Shera, who already has a boyfriend at home, seems ready to run through several more boys herself … Rhis learns a lot about herself quickly, as she must deal with her feelings for a young man she hasn’t really even met, plus handle the nasty but beautiful Princess Iardith, while also befriending other youths, such as the language-handicapped cousin of the Prince. Then everything changes when Iardith is abducted, and Rhis and her new friends decide to mount a rescue attempt all on their own.

It will be clear that in some ways this is a featherlight concoction. Certainly Rhis is a character for the reader to happily inhabit – she is honest, talented but not absurdly a genius, very nice. And her story has aspects of, well, convenience and luck. But not to a silly degree. I was pulled by the story, and I was happy to root for Rhis. A Posse of Princesses isn’t a masterpiece, but it’s a very enjoyable and grounded YA fantasy.

Senrid, by Sherwood Smith

(Norilana, ISBN: 978-1-934169-62-9, $24.95, 447 pages, hc) May 2007

a review by Rich Horton

Sherwood Smith originally wrote this novel at the age of 15. To some extent this shows – it is very Crown Duel, and last year’s very fine Inda (which is set as far as I can tell some centuries before Senrid, in the same kingdom). Senrid is the boy King of the warlike land Marloven Hess. His wicked uncle is Regent, and has impressed on him a need to avoid weakness. Signs of weakness include altruism, romance, and white magic. The Regent wishes to reconquer territory Marloven Hess controlled in the past, such as the tiny and peaceful Vasande Leror, also ruled by a boy King, but one whose strength is white magic. After Vasande Leror magically resists one invasion, Senrid is pressured to kidnap and execute the children who foiled his plans, but a daring rescue saves the day. In the process Senrid is sucked out of his kingdom, and the Regent takes over. Senrid must learn to cooperate with his former enemies, as well as learning the value of the rule of law and fairness, in order to depose his Uncle. The story is an enjoyable read, if not as good as for instance Inda. It is a bit too episodic, the magic at times seems too arbitrary, the characters are well enough depicted but not as well-rounded as they might be, and such details as the invented slang grate at times. Still, I liked it on the whole, and I’ll be glad to see further tales of this group (though I hope the kids grow up!)
much a story of kids (magically kept prepubescent) having adventures in a fantasy kingdom – with one or two characters (significantly named) who seem to be the author’s counterparts, even to the point of actually coming from Earth. It is set in a world she began dealing with aged 8, and in which she has set many of her novels, including the fabulous

Locus, December 2005

Lone Star Stories is approaching two years of regular bimonthly web publication. From issue #11, October, I think I liked Sherwood Smith’s “The Hero and the Princess” best, though Stephanie Burgis and Jay Lake also contribute good work. Smith’s is a down-to-earth story about a young man who wants to be a hero, and his encounter with a woman who shows him that real heroism is more complex than just good swordsmanship.

Locus, April 2007

Another new online magazine is Coyote Wild. The first issue has a generous helping of fiction, including a novelette and even a novella. The latter is Sherwood Smith’s “Summer Thunder”, actually part of a novel project, but successful on its own. Long peaceful Colend is menaced by a neighbor, perhaps simply because the neighbor prince is obsessed with Lasva, the beautiful sister of the Colend’s Queen. But two other admirers of Lasva are fortunately at hand, and in their own different ways work to forestall the plans of the neighboring prince.

Firebirds review (Locus, April 2007)

Sherwood Smith's "Beauty" is a next-generation sequel to her wonderful Crown Duel, as an self-conscious young princess is kidnapped by a revived villain from that novel, and learns something about inner beauty and inner strength, and redemption.

Lace and Blade review (Fantasy Magazine)

A particular highlight is Sherwood Smith’s novella “The Rule of Engagement”, in which a woman is kidnapped by a man who hopes to marry her, and must find a way to engineer her escape without causing political issues, or harm to the man’s retainers. The story is satisfying in its scope, and hints at a fascinating backstory … all part of a grand fantastical history that Smith has been elaborating since childhood, and which is the source of her excellent Inda novels for DAW.

Birthday Review: Stories of Matthew Hughes

I have enjoyed Matthew Hughes' stories set in a version of Jack Vance's Dying Earth milieu for a long time. Today is Hughes' birthday -- here's a selection of my reviews of his work (by no means representing all his work!)

Locus, March 2004

The March F&SF opens with "Mastermindless", an amusing science fantasy novelet by Matt Hughes, set "one eon before Jack Vance's Dying Earth". Everyone in the city has been rendered nearly broke, ugly, and stupid. Unfortunately, this includes our hero, which severely hampers his investigation into the cause. It's quite fun, and I'm looking forward to the promised future stories in the series.

Locus, June 2004

The two novelets in the June F&SF are both colorful adventure fantasies, and plenty of fun. Matthew Hughes's "A Little Learning" is about Guth Bandar's examination to become a scholar of the Institute of Historical Inquiry. He must travel through the Events, Landscapes and Situations of the noösphere to the Blessed Isles. But a rival sabotages his route, and Guth is left with little option but to use what small knowledge he has of alternate routes through the noösphere to try to find a shortcut. His adventures are amusing indeed, and cleverly imagined. Hughes is a welcome new find.

Locus, August 2004

Also in the August F&SF is another amusing story by Matthew Hughes, "Relics of the Thim", in which Hengis Hapthorn investigates some very plausible looking relics of an ancient civilization, suspicious because they have been produced by a known con artist – though authenticated by a respected scholar. What he learns is a bit unexpected.

Locus, October 2004

The men show well too, in the September Asimov's. Matthew Hughes might seem like a "hot new writer", but actually his first novel appeared in Canada ten years ago. Still, he has just recently come to well-deserved wide attention. "The Hat Thing" is a sharp time-travel short-short, about the difficulty of really fitting in in the past.

Locus, February 2005

The highlights of the February F&SF are two rather light-toned novelets. "Inner Huff", by Matthew Hughes, is another story of Guth Bandar exploring the noösphere. This is the human collective unconscious – source of stories and tropes. He is researching the siren songs, but ends up captured by a version of Circe, and turned into a pig. He escapes to another part of the noösphere – but as a pig – and there are some interesting pig stories out there ...

Locus, June 2005

The June F&SF features Matthew Hughes "The Gist Hunter", along with a cover illustrating the story, also by Matt Hughes (not the same guy!) I think this may be Hughes's best Hengis Hapthorn story to date. Hapthorn is engaged by one Turgut Therobar to defend him in a case of "murder and aggravated debauchery". Therobar is a very respectable man, but people have gone missing at his estate, and a young woman has been violated outrageously. Hapthorn visits the estate, and finds things are quite strange. In particular, a rival he once insulted is present, and seems to be working to prove a theory involving "gist" that Hapthorn regarded as nonsensical. To be sure, there is also an extremely attractive and surprisingly enthusiastic young woman ... Let's leave the unraveling of mysteries to the story – it's very enjoyable work indeed.

Locus, April 2005

In Matthew Hughes's, "Finding Sajessarian" (F&SF, April), the title character is willing to pay Hengis Hapthorn to find him -- as a dry run for his anticipated disappearance subsequent to a planned crime. Hengis, with the help of his remarkable AI assistant, has little trouble finding him, but Sajesssarian, after all, is a criminal, and has little desire to pay up, instead leaving Hapthorn in a sticky situation. Hengis, and the integrator, and another assistant, are equal to the problem, of course, and readily figure out what is truly happening -- but not without certain, one feels, irrevocable changes occurring in the relationship between Hengis and his much put upon assistant.

Locus, August 2005

Matthew Hughes's "Thwarting Jabbi Gloond" (F&SF, August) goes back to the beginning of Henghis Hapthorn's career. Our hero is rather undistinguished student, but he shows a certain intuitive ability, which causes his friend Torsten Olabian to suggest a career as a discriminator. Hapthorn is skeptical, but then Olabian has cause to ask for his friend's help in dealing with a man who is sponging off his father's estate. Hapthorn's investigations uncover some unsavory and unexpected secrets about Olabian's father and his fortune, involving some rather interesting aliens – perhaps not an unmixed result, but one that at any rate confirms Hapthorn's career direction. This is enjoyable work that accomplishes, I think, just what it is attempting – but it isn't terribly ambitious set next to Hughes's other Hapthorn stories, nor his Guth Bandar stories.

Locus, July 2006

Matthew Hughes is reliably entertaining in “The Meaning of Luff” (F&SF, July), a tale from the early life of Luff Imbry, who by the time of the novel Black Brillion was a reformed con man. Not so here – as he takes advantage of a fellow conperson’s financial need to take the lion’s share of a money making opportunity involving a device that, apparently accurately, reveals the ultimate value of any person’s life. The title tells us where this is going – and Luff’s response to such knowledge is quite in character.

Locus, March 2007

The February and March issues of F&SF each feature a nice cover taken from the same story: the two-part serial “The Helper and His Hero”, by Matthew Hughes. This story represents the culmination of Hughes’s series of stories about the noönaut Guth Bandar. A noönaut is an explorer of the collective unconsciousness: the source material (or perhaps the collective resultant) of story and myth. Bandar is by now middle-aged, and his noönaut career has long since been frustrated – as he has learned, because he is being saved for an important role. Now he takes a vacation to investigate gravitational anomalies in the Swept: a mostly uninhabited plain, the result of a long-past invasion by the alien hive-mind called the Dree. Most of the travelers are victims of a new disease, the Lassitude, and their companions, in hopes of a cure. But Bandar quickly gathers that one disturbing pair is not what it seems. In particular, the young aristocrat of the pair soon evinces great interest in Bandar’s ability as a noönaut – and, worst, this young man shows scary ability in that area himself. More, he seems hardly a real person – closer to an archetype, specifically the Hero archetype. And Bandar, it appears, is to be cast in the role of Helper to this Hero – in a desperate attempt to forestall another Dree invasion. The story is enjoyable enough, but seems just a bit sketchy. And the reason for that is simple, I think: this is exactly the story told in Hughes’s novel Black Brillion. Only the novel was told from the point of view of the young “Hero”, Baro Harkless, while this story is told from Bandar’s POV. It is interesting seeing the tale from another angle, but I must say I find the longer novel a more satisfying experience. (The serial is itself, I believe, just barely novel length according to SFWA’s definition.)

Locus, June 2007

Matthew Hughes's "Sweet Trap" (F&SF, June) is reprinted from a limited edition of his 2006 novel Majestrum. Henghis Hapthorn, along with his new familiar and also with is other self, the magically talented Osk Rievor, is hired to track down a missing man. The man bought an unexpectedly cheap spaceship then disappeared. Henghis and his often reluctant allies manage to track down the disappeared man, and find the unexpected criminal behind it all. It's a pleasant story but nothing special.

Locus, December 2009

Postscripts #19 is subtitled Enemy of the Good. So, yes, I know it’s officially an anthology but to me it’s still a magazine. The title story is one of Matthew Hughes’s Luff Imbry stories, set as with his Henghis Hapthorn pieces in the age just prior to that of Jack Vance’s Dying Earth. Here the enterprising thief is captured by a trap set by his latest victim. But his captor has an additional use for him – to explore a cave wherein an ancient sect had reputedly created nearly perfect works of art. Such ancient masterworks would surely be incredibly valuable. But – well, there’s always a but, and it’s fun getting to the but, and realizing why Luff himself is uniquely qualified to (more or less) triumph.

Locus, May 2017

The three novelets in the March-April F&SF are all really nice pieces, in different ways – perhaps none of them is precisely groundbreaking but they are all quite fun. ... Matthew Hughes starts a new series with “Ten Half Pennies”, about Baldemar, a poor boy who finds himself bullied at school, and comes up with the notion of buying protection from a moneylender’s enforcer, which leads eventually to doing errands for said enforcer, and then to a position as “wizard’s henchman”. The story from there is well-plotted and amusing, told in Hughes’ well-honed Vance-derived ironic voice.