Review: Jewel Box, by E. Lily Yu

Review: Jewel Box, by E. Lily Yu

by Rich Horton

E. Lily Yu made a splash from the start in the SF field, with "The Cartographer Wasps and the Anarchist Bees" in 2011, though she had published a story in the Kenyon Review earlier, and she has continued to write outstanding stories, and strikingly original stories, in the decade plus since then. She published a beautiful novel, On Fragile Waves, in 2021. Her stories are varied in tone, setting, and subject matter, but they are always beautifully written, intensely interested in character and in morality -- personal morality, as in how to live a good life, and public morality: that is, one might say, justice, both economical and political. They do not hector, however, they simply demonstrate. More than that, they make the reader, or this reader, feel strongly -- anger, love, joy, hope, but not cynicism.

The book at hand is her first collection, published by Erewhon Books in 2023. It collects 22 stories, four of them original to the book, and a few more that many readers may have missed. It is an essential collection -- a strong representation of the work of one of the most interesting new writers in recent years. (Even so, she has published enough stories that she could readily assemble another collection.) The stories are a mixture of contemporary fiction (some which veer into what might be called magical realism), fantasy, and science fiction. If there is a single mode she repeats, it is variations on fairy tales, folk tales, or myths. (One story is a wild transformed almalgam of "Jack and the Beanstalk", "The Pied Piper of Hamelin", and Chaucer's "The Clerk's Tale", with a bit of "The White Cat" thrown in.)

There is not a story in this book that is not worth reading and rereading. The four new stories are of a piece with her earlier work. "The Cat's Tale" is perhaps the highlight: it's the wild almagam I mentioned: when Jackie goes to sell her mother's cow, a white cat buys it, and convinces Jackie to accompany her to confront an ogre: the abusive Lord Walter. It's inventive and amusing and pointed. "The Lion God and the Two Gates" is essentially a parable, about a judge who is reputed to be a good man -- but his goodness is shown as legalistic and supportive of the status quo -- and when he faces his judgement at the hands of the lion god, his sentence is appropriate. "Courtship Displays of the American Birder" is a sweet contemporary story about a substitute teacher getting the courage to upend his life and migrate to the home of a woman he met while birding. And "The Eve of the Planet of Ys" is SF (if not terribly plausible scientifically) about a woman's -- several women's -- efforts to make a liveable place underground as the two suns of Ys consume each other. Perhaps the science doesn't work, but the story makes emotional sense.

Rereading the other stories reinforced to me their virtues. The slyness, indeed subversiveness, of "The Cartographer Wasps and the Anarchist Bees" still enchants and makes one think. The fierce satire, married with almost loving description of the foolish extravagances of the near-future ultra-rich, makes "Green Glass: A Love Story" both timely and timeless. A more hopeful near future is shown in "The Doing and Undoing of Jacob Mwangi", set in Kenya with a version of Universal Basic Income that has divided society into "Doers" and "Don'ts" -- those who live on UBI and those who work for something more. Jacob Mwangi is a Don't who is moved to became a Doer -- but who needs to find a way true to his own self. "The Wretched and the Beautiful" is a searing and scary portrayal of humanity's reaction to the arrival of alien refugees. "Three Variations of a Theme of Imperial Attire" is a very dark portrayal of the real story behind "The Emperor's New Clothes" -- the clothes, and the advice, the tailor provides are horrifying, and the results are terrifying. And "The Valley of Wounded Deer" is one of the most moving stories here, another story in the mode of fairy tale, about a Prince who ends up on the only survivor of her murderous grandmother, the Queen, and who emulates the ways of deer in attempting to escape her grandmother's plots. The ending is particularly powerful.

I've only mentioned a subset of the contents -- but the entire book, as I said, is excellent. Some stories are vicious, some are sweet, some are clever, some are hopeful, some despairing. All are beautiful. 

(Disclosure -- Lily is a respected colleague, someone with whom I correspond somewhat regularly, and meet occasionally at conventions. And she sent me this book. So calibrate my words as you choose -- but, honestly, you'll thank me after you read her!)