Review: Waking the Moon, by Elizabeth Hand

Review: Waking the Moon, by Elizabeth Hand

by Rich Horton

I am a great fan of Elizabeth Hand's fiction, but I am quite behind on her novels, especially her early ones. I finally decided to read her  1994 novel Waking the Moon. I bought the audiobook version, and then, because I get impatient and also like to have text for rereading and such, I got the Kindle edition. I figured they would be the latest and best versions. And I read the book and was very impressed.

Then I investigated further ... the original 1994 version was published in the UK. The US edition appeared in 1995, and, it seems, was significantly shorter. Which version had I read? I ordered a UK copy, which took a while to come (the US Postal Service played some of their delightful games with it.) And as soon as I finally looked into it, I realized the version I read/listened to was indeed the shorter American version. And the changes are interspersed throughout -- there are the same number of chapters, but text has been added in many places. (Or, I should rather say, text had been cut in many places for the American version.) Somewhere I read that Liz actually prefers the shorter version. (I hoped to ask her about that at Readercon but we only got to talk for a minute or so.) Hah! -- I always want MORE. But, you know, things intervened -- like many other books. So I've only sampled the British edition. What I've read of the longer version has been good. But I think a full reading will wait until it's time for a reread. And so this review comes later than I meant it too, and probably suffers therefrom.

Waking the Moon is told primarily by Katherine Sweeney Cassidy, called Katie by her family, but Sweeney by everyone she meets as an adult. We meet her as she matriculates at the University of the Archangels and St. John the Divine in Washington, D. C. We already know from a preface that she will make two particular friends there: Oliver and Angelica, and that she will be in love with both of them, and that they are now (when is now?) gone. (The university is apparently based to some extent on Catholic University, where Hand herself went.) Sweeney is a typical smart young kid from a moderately privileged background, a mix of believing in her talent and totally unsure of herself. Soon after she gets there she runs into Oliver -- a legacy of sorts, and a gorgeous and undisciplined and dangerous and intelligent young man; and Angelica, astonishingly beautiful, also a legacy, raised by a single father. Soon they are inseparable, even as "signs" are happening -- living gargoyles or angels, portents of a potential change. Professor Balthasar Warnick is on alert. Visiting Professor Magda Kurtz is after something else ... And Sweeney's circle expands a bit to include Baby Joe and Hasel Bright and Annie Harmon (Angelica's roommate.) 

We get chapters detailing Sweeney's semester at the Divine, mostly spent learning the city and music and coffee and more from Oliver, while skpping class. We get an interlude with Magda Kurtz, as she leads an archaelogical dig in the USSR and discovers exhilarating (to her) evidence of human sacrifice in a Mother Goddess civilization. Sweeney and Angelica witness a dark scene with Balthasar encountering and exiling Magda ... and Angelica ends up with an ancient lunula that Magda had found at her dig. And everything climaxes at a retreat in which Angelica calls on mystical forces ... and before long Oliver is mad, and then dead, a suicide. And Sweeney is expelled, Angelica off to to Italy ...

The novel skips forward a couple of decades. Sweeney has graduated (from George Washington University) and taken a sort of routine job at the Smithsonian's Natural History museum. Her other friends from the Divine are surviving -- Baby Joe is a music critic of some note, Hasel a lawyer, and Annie a rising star in the Lesbian folk scene. Angelica is different ... she seems to be the leader of a sort of New Age feminist cult. But dark things start happening -- Hasel dies under mysterious circumstances that Baby Joe learns may be connected to Angelica. Annie is increasingly successful but is becoming scared of some of her fans, who seem to be ensnared in Angelica's cult, which has seriously misandric aspects. We learn of Angelica's father's past, and perhaps who Angelica's mother is; there are terrifying scenes at Angelica's home; Sweeney goes to one of Annie's concerts and finds herself in an hallucinatory state witnessing bizarre and horrifying acts. And she gets an intern who is terribly attractive, way too young, and who is Annie's son -- and maybe Oliver reincarnated?

I don't want to detail the plot any more -- perhaps I've already written too much. This is a novel that manages to be very scary and also very beautiful. It's a D.C. novel more than any other I know -- a true city novel, with great details about underground music and Washington's geography. It's feminist and inquisitive about a sort of cultist feminism that is both plausibly attractive and genuninely horrifying. It's about weather, oddly. It's beautiful, and beautifully written. It's a college novel for a while, and then it isn't. It's big and never boring in the least. It's sexy. It's musical. It's terrifying. It's tragic, and it has a (sort of) happy ending. It won the Tiptree Award and the Mythopoeic Fantasy Award and probably deserved a few more. An excellent novel.