Wednesday, September 11, 2024

Resurrected Review: The Cutting Edge, by Penelope Gilliatt

I decided for eccentric reasons -- and because the latest novel I read (The Ministry of Time, by Kaliane Bradley) deserves a more thoughtful treatment -- to post a very short review I did of a fairly obscure novel, that I read a couple decades ago. I chose this novel because Joachim Boaz just acquired Penelope Gilliatt's SF novel, One by One. (I had not known she'd written any SF!)

Resurrected Review: The Cutting Edge, by Penelope Gilliatt

by Rich Horton

Penelope Gilliatt was an English novelist, short story writer and screenwriter (Sunday Bloody Sunday) who was also well known at the film critic for the New Yorker whose columns alternated with those of Pauline Kael. She was married to the famous playwright John Osborne. I got her 1979 novel The Cutting Edge for a quarter when my local library deaccessioned it -- I bought it because I recalled her name from the New Yorker, and because it looked interesting, and because how wrong can you go for a quarter?

And in fact it is a pretty enjoyable novel. It's the story of two eccentric sons of an eccentric English professor. The elder son is eventually named Peregrine, the younger Benedick (I say eventually because the professor initially called them Brother A and Brother B). They grow up, and Benedick gets married, and for a while live together in the ancestral house, along with Benedick's wife, and the Professor, and his second wife, and the boy's half-brothers, and their nurse ... then Benedick's wife, Joanna, leaves him. Which precipitates the main action of the novel.

The two end up in Istanbul. Peregrine is a writer and a Benedick a musician, but neither makes much money. When Peregrine gets in trouble for an affair with a 14 year old, he's off to Italy and then Paris, meanwhile becoming somewhat famous in England for his criticisms of his country, which come apparently from an old-fashioned (as in Samuel Johnson old-fashioned) Tory sensibility. Meanwhile Benedick is writing music with some success, missing his wife, and missing his brother even more perhaps. A series of brittlely funny short chapters detail their, er, peregrinations, leading inevitably to Joanna showing up in Paris and shacking up with Peregrine.

And that's pretty much it. It's a short novel (perhaps 40,000 words) and a fast read, and funny in rather brittle fashion (as I said). It's populated by briefly and effectively sketched eccentrics who wander into and out of the brothers' life. The whole thing is nice if minor work.

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