Hugo Nomination
Thoughts, Short Fiction
It’s that time again, right?
Here’s my thoughts on my Hugo ballot for short fiction. In
another post I’ll discuss – less comprehensively – the other categories. As
usual, I’m better informed about short fiction than anything else.
I should mention going in that there have been some
significant changes to the Hugos. There is a new Hugo Category, for Best
Series. (I don’t like the idea much, but I’ll play along.) There is a new
non-Hugo, for Best Young Adult Book. There are changes to the voting process:
now there will be 6 nominees instead of 5 (though each nominator still just
votes for 5), and the 5% rule (that each story on the final ballot must appear
on 5% of the nominating ballots) has been eliminated. And the EPH process for
counting the final votes has been approved. I won’t try to explain that – there
are much clearer explanations than I could offer readily available.
One more note to begin with – though I participate with a
lot of enjoyment in Hugo nomination and voting every year, I am philosophically
convinced that there is no such thing as the “best” story – “best” piece of
art, period. This doesn’t mean I don’t think some art is better than other art
– I absolutely do think that. But I think that at the top, there is no way to
draw fine distinctions, to insist on rankings. Different stories do different
things, all worthwhile. I can readily change my own mind about which stories I
prefer – it might depend on how important to me that “thing” they do is (and of
course most stories do multiple different things!) – it might depend on my mood
that day – it might depend on something new I’ve read that makes me think
differently about a certain subject. Bottom line is, in the lists below, I’ll
suggest somewhere between 5 and 8 or so stories that might be on my final
ballot. Those will be in no particular order. And the other stories I list will
all really be about as good – and I might change my mind before my ballot goes
in.
The other obvious point to make is that the great bulk of
these stories are those that I included in my yearly anthology. There are a few
that didn’t make it, for reasons of length, contractual situation, balance, or
even that I might have missed a story by the deadline for the book.
Novella
“The Dream-Quest of Vellitt Boe”, by Kij Johnson (Tor.com
Books)
“The Vanishing Kind”, by Lavie Tidhar (F&SF, July/August)
“Lazy Dog Out”, by Suzanne Palmer (Asimov’s, April/May)
“Maggots”, by Nina Allan (Five Stories High)
Penric’s Mission,
by Lois McMaster Bujold (Spectrum Literary Agency)
Technologies of the
Self, by Haris A. Durani (Brain Mill Books)
The Jewel and Her
Lapidary, by Fran Wilde (Tor.com Books)
In this category, there are only two stories included in my
book – that’s always the way, with novellas – they take up so much space that I
can only fit a couple per year. The top five stories listed will almost
certainly be on my Hugo nomination ballot. That said, there are a few
significant novellas I have not yet read, so there is some room for change. But to quickly cover my putative nominees:
“The Dream-Quest of Vellitt Boe” is a truly lovely story,
taking its inspiration and setting from H. P. Lovecraft’s “The Dream-Quest of
Unknown Kadath”, but more importantly, written as well as the work of the
writer Lovecraft was under the influence of when he wrote his story: Lord
Dunsany. The title character is a professor at a women’s college who must chase
after a student who has foolishly run away with a man from our world.
“The Vanishing Kind” is dark noir set in an alternate
England, under the sway of a Nazi government, having lost World War II. A
German screenwriter comes to London partly in pursuit of an actress who had
briefly been his lover, only to find her involved in some very scary things –
drugs, sex-trafficking, murder – not to mention hidden Jews.
“Lazy Dog Out” is traditional SF adventure, and lots of fun,
about a space tug pilot on a moon of a colony planet, who gets stuck in the
middle of a nasty plot involving framing some unfortunates for the murder of
some visiting aliens.
“Maggots” is a long story about a young man from the North
of England who becomes convinced that his Aunt, after a mysterious
disappearance and reappearance, has been replaced by something alien. This ends
up messing up his relationship with his girlfriend, and he ends up in London,
tracking down hints of other people who’ve had similar experiences as his –
which leads him to a spooky house where he encounters something really scary,
as well as learning a lot about his Aunt that he hadn’t known.
And finally, Penric’s Mission is my favorite so far of
Bujold’s three self-published novellas set in her World of the Five Gods.
Penric is a young man who in the first story became the host to a demon (that
he calls “Desdemona”), which makes him a sorcerer. In this story he travels to
another country to try to recruit a popular General for the Duke he’s working
for, and ends up enmeshed in local politics, with the General blinded, and
Penric trying to help, and falling for the General’s widowed sister in the
process. Fun stuff, with some interesting magic.
As JJ pointed out on File770, "The Jewel and Her Lapidary" is a novelette. Tor mistakenly called it a novella, but they've since corrected it.
ReplyDelete"Penric's Mission" is 45,300 words, which makes it just 300 words too long to be eligible. WSFS rules (Section 3.3.2) set the max length of a novella at 40,000 words, but there's an allowance of 20% or 5,000 words, whichever is less (Section 3.2.8) so the absolute longest eligible work would have 45,000 words.
Thanks ... I wasn't at all sure of the exact length of Penric's Mission (my Kindle doesn't give word counts), and, yes, I went with the original designation for The Jewel and her Lapidary...
DeleteI was going to mention that I thought it would still make sense for a story like "Penric's Mission" to be considered a novella for awards purposes but I see you made the same point in the File 770 comments.
Frankly, I think the category lengths should be revisited, although given the long history of awards at the current lengths, I can see how that would be controversial. However, raising the novella ceiling to 50,000 words seems reasonable to me.
ReplyDelete