[This post is a revised version of my previous post on potential novella nominees, reflecting questions about the eligibility of a couple of my suggestions, as well as reflecting my reading three more highly recommended novellas.]
Novella
The Dream-Quest of
Vellitt Boe, by Kij Johnson (Tor.com Books)
“The Vanishing Kind”, by Lavie Tidhar (F&SF, July/August)
“Lazy Dog Out”, by Suzanne Palmer (Asimov’s, April/May)
“Maggots”, by Nina Allan (Five Stories High)
The Iron Tactician,
by Alastair Reynolds (NewCon Press)
The Ballad of Black
Tom, by Victor LaValle (Tor.com Books)
The Last Days of New
Paris, by China Mieville (Del Rey)
Penric’s Mission,
by Lois McMaster Bujold (Spectrum Literary Agency) [technically just slightly
too long to be eligible in the Novella category]
Technologies of the
Self, by Haris A. Durani (Brain Mill Books)
The Jewel and Her
Lapidary, by Fran Wilde (Tor.com Books) [technically a novelette at some
16,900 words, though also eligible in Novella]
In this category, there are only two stories included in my
book – that’s always the way, with novellas – they take up so much space that I
can only fit a couple per year. The top five stories listed will almost
certainly be on my Hugo nomination ballot. That said, there are a few
significant novellas I have not yet read, so there is some room for change. But to quickly cover my putative nominees:
The Dream-Quest of
Vellitt Boe is a truly lovely story, taking its inspiration and setting
from H. P. Lovecraft’s “The Dream-Quest of Unknown Kadath”, but more
importantly, written as well as the work of the writer Lovecraft was under the
influence of when he wrote his story: Lord Dunsany. The title character is a
professor at a women’s college who must chase after a student who has foolishly
run away with a man from our world.
“The Vanishing Kind” is dark noir set in an alternate
England, under the sway of a Nazi government, having lost World War II. A
German screenwriter comes to London partly in pursuit of an actress who had
briefly been his lover, only to find her involved in some very scary things –
drugs, sex-trafficking, murder – not to mention hidden Jews.
“Lazy Dog Out” is traditional SF adventure, and lots of fun,
about a space tug pilot on a moon of a colony planet, who gets stuck in the
middle of a nasty plot involving framing some unfortunates for the murder of
some visiting aliens.
“Maggots” is a long story about a young man from the North
of England who becomes convinced that his Aunt, after a mysterious
disappearance and reappearance, has been replaced by something alien. This ends
up messing up his relationship with his girlfriend, and he ends up in London,
tracking down hints of other people who’ve had similar experiences as his –
which leads him to a spooky house where he encounters something really scary,
as well as learning a lot about his Aunt that he hadn’t known.
The Iron Tactician
is the latest Merlin story from Alastair Reynolds, set in a far future in which
humanity is threatened with destruction by Berserker-like robots called
Huskers. This story, set more or less to the side of the main action, has
Merlin encountering a ship destroyed by the Huskers, with one survivor, who
leads him to a system riven by war, which may have a syrinx to replace Merlin’s
decaying one. The story truly turns on the nature of the AI which one side of
the war has used to plan their campaigns, the Iron Tactician, and on its real
nature and motivations. The story starts a bit slow but is resolved really
effectively.
I’m not a horror fan, not a Lovecraft fan, which is one
reason I resisted Victor LaValle’s The
Ballad of Black Tom. And it is Lovecraftian horror, though with a distinct
twist. Still – not my favorite stuff – but I have to say this is a pretty
strong story regardless. It’s set in New York in the ‘20s, about a black man, a
bit of a con man, who becomes involved with a rich white man who believes he
can summon the Old Ones from the depths – and so perhaps he can, but if he
calls them will they do what he wants? And will Black Tom care? Solid work, and
really well written in spots, but in spots written a bit carelessly, as if it
needed one more draft.
The Last Days of New
Paris is subtitled “A Novella”, so I list it here. Its main part is perhaps
39,000 words, which qualifies it as a novella, but there is a long section of
endnotes, which brings it to well over 45,000 words, so I’ll leave the question
of its eligibility for the Best Novella Hugo to others. But it’s very
interesting, set in an alternate Paris during and after World War II. In this
Paris a curious weapon has brought Surrealist art to life, with ambiguous effects,
and Thibaut, the main character, along with an American spy named Sam,
negotiates the city and the Nazis’ efforts to use their art as weapons in an
attempt at, perhaps, escape – or, perhaps, an encounter with some arguably more
threatening than the Nazis. As I said, it’s pretty interesting, but I thought
it perhaps a bit too much a really neat idea looking for a story and not really
finding one. (To be fair, there really is a story here, just not one I was
entranced by. But, the central idea is very cool indeed.)
I ought to say something as well about the other two novellas
I mention. Technologies of the Self is about Joe (real name Jihad), a
Dominican-Pakistani-American growing up in New York, and a faithful Muslim in
post-9/11 New York, also an engineering student, a young man a bit shy around
woman, proud of his Dominican heritage and his family’s long history of exile. The
SFnal part concerns his Uncle Tomas, particularly his repeated encounters with
a creature he thinks is a demon called Santiago (but who might be a strange
time traveler, or a person from a parallel world, or all of the above). Cool
and involving work about the main character’s identity (or identities). And The Jewel and Her Lapidary also
has a cool central fantastical idea: a valley protected from outsiders by
powerful jewels that are wielded by the ruling family (“Jewels”) but controlled
by Lapidaries who each bond to a single Jewel. This story concerns the betrayal
and fall of the valley, leaving one surviving Jewel and her Lapidary, both
fairly insignificant young women. They must find a way to resist the invaders,
and at least to prevent them using the valley’s mines to supply jewels to allow
them to cement and extend their conquest.
[I had previously mentioned Penric’s Mission as a potential Novella nominee, and my favorite so
far of Bujold’s three self-published novellas set in her World of the Five
Gods. Penric is a young man who in the first story became the host to a demon
(that he calls “Desdemona”), which makes him a sorcerer. In this story he
travels to another country to try to recruit a popular General for the Duke
he’s working for, and ends up enmeshed in local politics, with the General
blinded, and Penric trying to help, and falling for the General’s widowed
sister in the process. Fun stuff, with some interesting magic. However, I am
told that this story is 300 words too long to be eligible for Best Novella.]
How long is the Penric story? I thought Hugos had a 10% allowance for overrun.
ReplyDeleteSomebody at File 770 counted, and said Penric's Mission is 45300 words long. I always thought the Hugos had a 10% allowance, but it's actually 20%, except with a maximum of 5000 words. So, short stories can range to 9000 words, novelettes from 6000 to 21000 (!) words, and novellas from 14000 to 45000 words. (And novels from 35000 words up.)
ReplyDeleteI have all kinds of issues with those limits, but they are, I guess, the rules. 20 years ago, I suspect, all anyone would have said about "Penric's Mission" would have been: well, it's about 45,000 words, close enough. Nowadays, it's easier to get an exact count, and it's 300 words too long.