Review: The All-Consuming World, by Cassandra Khaw

Review: The All-Consuming World, by Cassandra Khaw

by Rich Horton

This is Cassandra Khaw's first full-length novel (I think -- there have been several novella-length chapbooks.) I have been intrigued by their work for a while, particularly after reading the 2019 story "Mighty are the Meek and the Myriad", which I included in my Best of the Year volume, so I was anticipating this book. Khaw is a Malaysian writer and game designer, and most of their work has a distinct horror slant. That includes this novel -- even though it is pure SF.

This novel is primarily told from the POV of Maya, a profane woman working for (and obsessively in love with) Rita, who seems to be the leader of a group of space-based criminals which has fallen apart after the death of one of them, Johanna, some 40 years before. And now Rita is trying to get the gang back together, for (of course (sigh)) one last mission. The nature of the mission -- and, indeed, the nature of the gang, and of this future, are largely for the novel to reveal. Indeed, from the beginning, the reader is thrown into a world with little in the way of guideposts, little in the way of back story, and has to piece things together as things go on.

Rita and Maya, for the first half or more of the novel, keep trying to convince former members of the gang to rejoin them, mainly to help save Elise, one of their number who had physically died but managed to escape into the "Conversation", where the AIs who seem to dominate this multiple star system polity communicate. Some of their number agree to rejoin -- all reluctant, all for the same reasons -- distrust of Rita, especially over the loss of Johanna. Others turn out to be dead -- really dead. But over time a sort of quorum assembles -- and they head to the mysterious planet Dimmurborgir.

But I've skipped some stuff. For one thing, there is another major character, an AI named Pimento. Pimento is, I think, the most sympathetic character in the novel -- he is subservient to another AI, the Merchant Mind, but he seems to want to gain agency of his own. For another thing, there is Elise, who has her own POV chapters, as she tries to maintain her identity free from the searching AIs. And there are questions about the true natures of Rita and Maya and company -- it seems they are clones, who can be re-instantiated (mostly) after death, and reloaded, as it were, with their preserved consciousness. And clones are second -- or third -- class people in this future. 

All this is super promising, really. But, I fear, it never wholly coheres. To some extent, this is me complaining that I didn't understand this future well enough -- perhaps that's my fault (but I know I'm not alone!) To some extent, this is a Maya problem -- though there are several POV characters, Maya has by far the biggest share of the narrative, and she's kind of, well, boring -- just a constantly swearing fighter, with not much in the way of a third dimension. More Pimento, and more Elise, I think, would be good. In addition, the opening half of the book comes off rather padded -- continuing "shampoo, rinse, repeat" of tracking down another character, convincing her to rejoin the gang, getting rebuffed, guilting her via Elise to overcome her resistance ... even though each of these characters are supposed to be different from each other, this doesn't fully come off. One further weakness is the fuzziness of detail of the -- let's say, geography (or astrography) of this future. How does one get from one system to another? How many systems are there? How many planets? Cities? Moons? It wouldn't take much space to sketch these details in -- and it would really clarify a lot of, well, structure. For this reader, at least.

I will say that the novel's ending is pretty strong -- the final fate of the characters is pretty cool. But I wish it were a bit more earned. The novel needed to be either 30,000 words shorter, and simpler, or 20,000 words longer (or, better, 20,000 words longer with 40,000 new words and 20,000 cut) -- and in so doing, more fully develop the really cool ideas -- the role of AI in this future, and the position of clones, mainly; while tamping down the eventually somewhat repetitious violence, and repetitious voice.

I sound harsh, and I don't mean to be quite so down on the book. I don't think it works, but I did read it, and quickly. It lagged a bit at times, but never enough to make want to stop. The prose is inconsistent, but at its best is excellent -- original, sharp, energetic. And there are ideas behind it that I really liked -- I just don't think they were brought to life enough. In the end, I'll call this a promising first novel, with first novel problems, but which still marks its author as a writer to watch.