Saturday, October 8, 2022

Old Bestseller Review: A Confederacy of Dunces, by John Kennedy Toole

A Confederacy of Dunces, by John Kennedy Toole

a review by Rich Horton

Many years ago I read John Kennedy Toole's A Confederacy of Dunces, and I loved it. But I recently realized that I hardly remembered it! So I decided to read it again.

The novel's backstory is rather famous. John Kennedy Toole (1937-1969), a native of New Orleans, graduate of Tulane with a Master's from Columbia. He spent time teaching at what is now the University of Louisiana at Lafayette; and also at Hunter College in New York, while he worked on a Ph. D. at Columbia (he never completed this degree.) He was drafted into the Army and posted to Puerto Rico, where he began working on A Confederacy of Dunces. After his discharge he finished it. He revised it several times with the advice of the legendary editor Robert Gottlieb, but Gottlieb eventually passed. Increasingly mentally ill, Toole committed suicide at the age of 31. His mother (who, one imagines, perhaps unfairly, was not always a benign influence on him) remained convinced of his genius, and eventually barged into the office of the great Louisiana novelist (and SF writer!) Walker Percy. Percy, in his introduction, recounts his fear that the novel would be the usual horrid thing; and his growing disappointment that it was good enough he had to keep reading, succeeded by shock as he realized it was actually quite remarkable. He eventually managed to convince LSU Press to publish it -- it appeared in 1980, was a critical success, eventually a bestseller, and it won the Pulitzer. (Only two other writers have won a posthumous Pulitzer in Fiction, and the other two were also distinctly Southern writers: James Agee, from Tennessee, and William Faulkner, from Mississippi (make of that what you will.)) The Neon Bible, a novel Toole wrote when he was 16, heavily influenced by Flannery O'Connor (speaking of Southern writers), was later published.

Ignatius J. Reilly is the antihero, though in reality the novel is an ensemble work (and pretty much everyone is more "anti" than "hero".) But Ignatius is the fulcrum. He is a fat man of about 30, well educated but unwilling to work, discontented with everything about the modern world (he is fond of advocating a return to the monarchy.) He lives at home with his mother, his father having died long before. Ignatius spends his time writing either long philosophical screeds, combative letters to his one time fellow student/sworn enemy/almost girlfriend Myrna Minkoff, or accounts of his everyday travails on Big Chief notepads. He drinks Dr. Nut (a then popular New Orleans soft drink), eats too much, and complains constantly about his troublesome pyloric valve. His favorite recreation is the movies, where he likes to yell at the screen protesting the obscenity he sees (which is a joke given that Reilly's favorite actress appears to be Doris Day, whose movies were so "clean" she was called "America's Oldest Virgin".) One day Ignatius attracts the unwelcome attention of a hapless policeman named Angelo Mancuso, and, distressed, he and his mother venture into the Night of Joy, a sleazy nightclub, after her work, and she ends up drunk and wrecks the car as well as a nearby building. And then Ignatius is forced to find a job.

His jobs are disasters of course -- the first is with Levy's Pants, a nearly moribund clothes factory. Ignatius' job is to file the records, which he does by burning them. He also incites the (largely black) factory workers into protesting their conditions. After losing his job there, he more or less at random finds a position at Paradise Vendors, pushing a hot dog cart (though eating most of the product.) 

But the other characters are busy too. The owner of Levy Pants is trying to find a way to get rid of the place, but his wife has taken up the cause of the aging Miss Trixie, who really wants to retire. The office manager, Mr. Gonzalez, is afraid of offending anyone. Ignatius writes a vicious letter to one of Levy's customers, who sues in response, which may at last serve as his business' mercy killing. The proprietor of the Night of Joy is selling pornographic pictures of herself to high school kids, while unwillingly allowing one of her employees to start a striptease act. The Night of Joy also hires a black man, Burma Jones, at much less than what he calls "minimal wage" -- a job he needs to avoid being jailed as a "vagran". Mrs. Reilly makes friends with Patrolman Mancuso's aunt, who quickly divines that Ignatius is the source of all her problems, and urges Mrs. Reilly to have him committed, while also trying to set her up with the old man who Patrolman Mancuso arrested in lieu of Ignatius. And Mancuso's career proceeds from bad to worse -- forced to wear outlandish costumes and wait in cold bathrooms hoping to arrest suspicious characters ...

There's more than that going on, and not much point in me detailing it -- I've probably already written too much! The novel is extremely funny throughout. Is it offensive? Well, objectively, Ignatius' views and rants are offensive, though in an oddly innocent way. Most of the other characters are just as, to use a tired phrase, politically incorrect. Even Myrna Minkoff, Ignatius' Jewish social justice warrior frenemy, is wackily off base. Probably the only scene that descends to lazy cliché is a gay party that Ignatius stumbles into -- I found that also quite funny, but was uneasily never sure that the gay scene described ever existed anywhere besides Toole's imagination. 

It's clear that Ignatius is too disconnected from reality to ever succeed in this time -- but also clear that he's just crazy enough to stumble through life never knowing how much trouble he's causing, and never knowing how close to disaster he hews. He's also in a cockeyed way intelligent enough to fascinate, intelligent enough to hold our interest. It's a weird ride, and an inimitable book. It's really great fun to read. 

5 comments:

  1. I read this for the first time a few months ago and enjoyed it quite a bit, though I wouldn't put it in the very first rank of comic novels (for me, a space occupied by P.G. Wodehouse and pretty much no one else). I thought that if the book could be said to have a hero, it wasn't Ignatius - it was Burma Jones (whose language sometimes approached the Wodehousian); he was certainly the novel's most sympathetic and left-handedly "effective" character (in terms of managing to successfully make his way through Toole's fun-house mirror world). It's certainly sad that this one book is all we got from JKT.

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    1. Jones is indeed possibly the most appealing character.

      It's true that for sheer comic effect Wodehouse probably has no equal.

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  2. There's another Walker Percy connection I may be the only person to have noticed (or maybe hallucinated). Percy's "breakout novel" was The Moviegoer (1961), about a man in New Orleans uncomfortable in the modern world, in conflict with his family, and trying to come to terms with his Catholic faith. He also goes to the movies a lot. I wonder if Toole was doing a bit of a "piss-take" on Percy's book in Confederacy?

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    1. And by "I" I mean me. Here's my own retro-review of Confederacy, with some thoughts on why it remains relevant: https://www.jamescambias.com/blog/2012/12/confederacy-of-dunces-ahead-of-its-time.html

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    2. The connection between Ignatius J. Reilly, moviegoer, and Binx Bolling, moviegoer, did indeed occur to me, though I didn't take the next step, and think of it as a piss-take! (I do think THE MOVIEGOER is a pretty fine novel.)

      And somehow I did not realize that you were originally from New Orleans! Will you be at World Fantasy in a few weeks? (That will be my first time visiting New Orleans.)

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