a review by Rich Horton
Arthur Bertram Chandler was born March 28, 1912, in England. He was a merchant seaman for many years, and indeed was the last Captain of the Australian aircraft carrier HMAS Melbourne (on sort of a technicality). He became an Australian citizen in the 1950s. His first stories appeared in Astounding in the mid-40s, including his best-known shorter work, "Giant Killer", but it wasn't until 1959 or so that he began writing more regularly, and also begain publishing novels. Most of his novels were set in the "Rim Worlds" of a future heavily human-colonized Galaxy, and many of those feature a main character named John Grimes, commander of spaceships. Chandler, naturally, used his own experience as a seaman and ship officer in describing life aboard his fictional spaceships. Chandler died in 1984.
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In The Alternate Martians Christopher Wilkinson has returned from a trip to an alternate Venus, this one a lush inhabitable version, where he found an alternate version of his dead fiancée, Vanessa. In her timeline, Wilkinson had died, so the two are available for each other. They are ready to be married, done with galumphing about the "coils of time" (it is Chandler's conceit that the trips to what seem alternate worlds are really time travel, and that time is a sort of helix or "coils", repeating with alterations). But Wilkinson is offered command of a spaceship that will travel to Mars, where scientists wish to see what the alternate Martian past might resemble. One believes it is likely to include real life versions of fictional representations of Mars: his idea is that writers such as Wells and Burroughs had sort of ancestral memories, somewhat garbled, of the different versions of Mars on other "coils of time".
Wilkinson and Vanessa are not intended to travel to the alternate Mars, but of course they do, after a bumbling engineer violates orders and activates the space drive will the time travel unit is being tested. They explore what seems to be a pumping station from the Martian poles, a la Barsoom, but one group is captured by a "tin octopus": clearly a version of Wells' Martians. Wilkinson and Vanessa end up with a group of wild humans, including a Delia Doris (i.e. "Dejah Thoris") as well as a Tars Tarkas. They are resisting the rule of the decadent blood-sucking Wellsian Martians. But the Martians capture them. Luckily, their superior Earth (and Venus) strength comes in handy, as does the superior tech of those remaining at the spaceship/timeship, who finally come to the rescue ...
As I said, loopy stuff. But in its limited way, kind of fun. Chandler never cared a whit, as far as I can tell, for stuff making sense, or for consistency, or, well, for anything but the next colorful incident. I find that exasperating, on the whole -- others may not care as much.
In Empress of Outer Space, a Terran spaceship Captain, Mortimer Jones, has been captured after he took over a world and set himself up as Chief Priest of a silly religion. The Empress Irene has taken charge of the criminal proceedings. Benjamin Tafford, who had formerly worked with Jones, is working for Naval Intelligence. But Jones escapes, along with one of Irene's doubles. He sets up as a pirate, and Irene insists on leading the chase, dragging Tafford along as captain in name only.
Unfortunately some aliens mistake them for Jones's pirates, and shoot up their ship. They crashland on an uninhabited planet -- or so it seems. But when they go out to investigate, they seem to find themselves on a planet that is a weird combination of Oz and Barsoom, with James Bond thrown in for good measure. Tafford and Irene go through some harrowing adventures. In the process, they fall in love, despite Tafford's previous frustration with Irene's highhanded ways, and her frustration with what she saw as his interference.
But then ... well, I won't reveal what happens. Another confrontation with Jones will of course result, and Tafford and Irene will cement their budding relationship, and, well ...
On the whole I don't think this story held together quite as well as The Alternate Martians. Minor work, I think, but I suppose it will appeal reasonably well to Chandler's fans.
I must admit to being a Chandler fan, both A Bertram, and Raymond. I can’t vouch for these two stories – I have the book but don’t remember the stories. I did, however, reread all of his John Grimes stories a decade ago, and really enjoyed them, which is something I can’t say for most of the stories I liked 50 years ago in my youth. But then, I am a fan of sea stories and Chandler’s transformation of sea stories into space stories no doubt plays a role in my fondness for his stories.
ReplyDeleteHe definitely understood crew dyamics, and that came through. Soem of the Grimes stories are pretty good, though in some of them I get the sense he's just going through the motions.
DeleteI read Empress several years ago. I thought it was light as a feather, but still reasonably fun. Like Charles I'm a big fan of the Grimes books. I think ABC put more care into them than he did with his other work. (The best Grimes books, anyway - series fatigue is something you see in a lot of writers. E.C. Tubb anyone? Or, dare I say, a certain missing in action epic fantasist?)
ReplyDelete