I've already posted a look at Peter Watt's tremendous novel Blindsight on this, his birthday. But I thought a selection of my Locus reviews of his short fiction was also worth doing. So here goes:
Locus, February 2008 (Review of The Solaris Book of New Science Fiction 2)
The standout story is Peter Watts’s “The Eyes of God”, a classical simple extrapolation story, positing a means of both detecting and fixing mental abnormalities, such as (in the case of the protagonist) sexual attraction towards children. One question that arises is “Do you want to change who you are?”, especially if you have never acted on whatever dark impulses your brain might hold. Other questions are variously hinted by the story, which also (perhaps a bit heavy-handedly, though effectively I thought) slowly reveals the protagonist’s rather apposite personal backstory.
Locus, November 2009
Peter Watts's "The Island” (The New Space Opera 2) is less pure Space Opera than a piece of very far future hard SF. A slower than light ship which has spent millennia upon millennia placing "stargates" encounters a weird alien society that their newest gate will put at risk. The characters must decide – in the context of their own conflicts – whether to move the gate. The story has plenty of SFnal cool -- the far reaches of time, the strange alien society, the weirdness of the more or less contemporary humans who construct the gates -- and it closes with a bitter twist.
Locus, January 2010
And finally in Clarkesworld for January, Peter Watts offers “The Things”, an immediately significant title, opening with a significant list of characters: Blair, Copper, Childs. The narrator is “being” each of these. It is, in fact, a “Thing” as in the movie, or, more importantly, John W. Campbell’s classic novella “Who Goes There?” Watts’s story is honest and thought-provoking and chilling in presenting a version of this familiar story from the alien POV.
Locus, January 2014
And my favorite piece (in Twelve Tomorrows) is the closing story, “Firebrand”, by Peter Watts. The hook is spontaneous human combustion, and the catch is a woman working for a company that wants to be sure they are not connected with the apparent increase in that phenomenon. Of course that can't last – or can it? And what about the next thing? This is funny stuff, and behind it is some cute Sfnal speculation.
Locus, October 2014
And I thought the best story in Upgraded was “Collateral”, by Peter Watts, as uncompromising as ever for him. A soldier kills a bunch of harmless fishermen on a Pacific island when her “enhancement” deal with the perceived threat before her consciousness can intervene. This causes a PR problem for her (Canadian) government, which they deal with in part by treating her so that she makes emotionless, rigorously “ethical”, decisions … which has chilling, unexpected (and coldly logical) results. (I read this more or less as the terrible shooting of Michael Brown occurred just a few miles from my home, and the ideas resonated all the more with me as a result.)
Locus, January 2018
As ever, the latest of Jonathan Strahan’s Infinity series of original anthologies is essential reading. Infinity Wars concerns future war, obviously enough, with a noticeable focus on what might be called the “grunt” point of view. The two best stories, I though, came from Dominica Phetteplace and from Peter Watts. ... Watts, in “ZeroS”, posits a technology that turns soldiers into non-conscious actors – for it turns out the unconscious has spooky abilities. Which are pretty scary for the humans who end up sort of “riding” their unconscious – especially when they learn what their “zombie” selves are capable of. For an extra fillip of spookiness, the story is told from the POV of a soldier who actually died, and who has been resurrected by this particular technology – at an increasingly horrible price.
Locus, November 2018
Peter Watts’ “Kindred” (Infinity's End) is told in monologue, addressed from an entity -- I’ll leave it to the reader to learn what entity – to an intelligence it just created, a reconstructed human. It seems this is in the far future, and our monologist wants to discuss what it means to be Human, and why Humans war. For a good reason, that we learn in time. It’s another very philosophical story, and to excellent effect. And I must say I love the title, which has of course multiple reasons, one very cute.
Friday, January 25, 2019
Birthday Review: Blindsight, by Peter Watts
Blindsight, by Peter Watts
a review by Rich Horton
Today is Peter Watts' birthday. He's one of the most interesting and challenging SF writers of our time. I thought this novel Blindsight truly remarkable. I'm reposting what I wrote about that novel for my blog back when it came out.
Now to Blindsight, by Peter Watts. This new novel is told by Siri Keeton, member of an expedition to investigate an anomaly in the far Oort cloud. It seems that Earth was -- attacked? surveilled? -- by what people call "Fireflies", a rain of probes that appeared one night. Several waves of probes are sent from Earth to investigate, and Siri's ship, the Theseus, is the first manned investigator. Five members awake when nearing a brown dwarf that is apparently orbited by possibly alien devices.
The team members are a linguist, Susan James, who has (on purpose) multiple personalities; Isaac Szpindel, a cybernetically enhanced instrumentation specialist; Amanda Bates, a military specialist; and the leader, Jukka Sarasti, a vampire; as well as Keeton, who is an observer or intermediary -- there to translate the findings of the variously enhanced team members to terms "normal" humans can understand, and transmit them to Earth.
(Back a bit -- vampire? And this is hard SF? Yes -- Sarasti is a genetically reconstructed member of an offshoot species of predators from the dawn of humanity. Watts even works in the usefulness of crosses against vampires.)
Their mission is to figure out what the alien "invaders" are up to. And they do so by investigating a "big dumb object" they encounter orbiting a brown subdwarf in the Oort. But this investigation is not easy. On the one hand the "aliens", whoever or whatever they are, seem to communicate readily. But on the other hand they don't say much of real substance, and what they say isn't very welcoming. And direct investigation of the object is difficult: the environment is radiation drenched and otherwise terribly inhospitable, even when they aren't getting attacked. But they persist -- and what they eventually learn is very scary indeed.
The story also is concerned with the various natures of the main characters. A lot of time is devoted to Siri Keeton's backstory: he was an epileptic cured by having half his brain removed; his beloved father was often absent on important spook business, while his less-beloved mother was messing up his life and eventually retreating to "Heaven", a virtual space for uploaded consciousnesses. Siri himself, essentially sort of autistic, also has a difficult relationship with a childhood friend and with his only ever girlfriend. The point of all this, as with the shorter expositions of what makes the other expedition members tick, leads eventually to the real heart of the novel: examination of the nature and utility of consciousness. And that is what makes the novel ultimately fascinating -- the speculation, the ideas. In other words, it's "real SF", if "real SF" is supposed to be about ideas. The characters, indeed, are all fairly unpleasant. The action is interesting but not really rousing. The prose is fine but not by itself any reason to read the book. It's certainly not uplifting. But it is fascinating and full of sense of wonder.
a review by Rich Horton
Today is Peter Watts' birthday. He's one of the most interesting and challenging SF writers of our time. I thought this novel Blindsight truly remarkable. I'm reposting what I wrote about that novel for my blog back when it came out.
The team members are a linguist, Susan James, who has (on purpose) multiple personalities; Isaac Szpindel, a cybernetically enhanced instrumentation specialist; Amanda Bates, a military specialist; and the leader, Jukka Sarasti, a vampire; as well as Keeton, who is an observer or intermediary -- there to translate the findings of the variously enhanced team members to terms "normal" humans can understand, and transmit them to Earth.
(Back a bit -- vampire? And this is hard SF? Yes -- Sarasti is a genetically reconstructed member of an offshoot species of predators from the dawn of humanity. Watts even works in the usefulness of crosses against vampires.)
Their mission is to figure out what the alien "invaders" are up to. And they do so by investigating a "big dumb object" they encounter orbiting a brown subdwarf in the Oort. But this investigation is not easy. On the one hand the "aliens", whoever or whatever they are, seem to communicate readily. But on the other hand they don't say much of real substance, and what they say isn't very welcoming. And direct investigation of the object is difficult: the environment is radiation drenched and otherwise terribly inhospitable, even when they aren't getting attacked. But they persist -- and what they eventually learn is very scary indeed.
The story also is concerned with the various natures of the main characters. A lot of time is devoted to Siri Keeton's backstory: he was an epileptic cured by having half his brain removed; his beloved father was often absent on important spook business, while his less-beloved mother was messing up his life and eventually retreating to "Heaven", a virtual space for uploaded consciousnesses. Siri himself, essentially sort of autistic, also has a difficult relationship with a childhood friend and with his only ever girlfriend. The point of all this, as with the shorter expositions of what makes the other expedition members tick, leads eventually to the real heart of the novel: examination of the nature and utility of consciousness. And that is what makes the novel ultimately fascinating -- the speculation, the ideas. In other words, it's "real SF", if "real SF" is supposed to be about ideas. The characters, indeed, are all fairly unpleasant. The action is interesting but not really rousing. The prose is fine but not by itself any reason to read the book. It's certainly not uplifting. But it is fascinating and full of sense of wonder.
Thursday, January 24, 2019
Birthday Review: Short Fiction of David Gerrold
Today is David Gerrold's 75th birthday. He certainly is worthy of a birthday compilation of short story reviews -- so here goes:
Locus, September 2005
David Gerrold offers a pair of linked stories, "A Quantum Bit Exists in Two States Simultaneously", the first one "On", the second one "Off". Each story is built around a conversation between the narrator (who much resembles Gerrold), and Dan Goodman, Pope Daniel the First of the Church of the Chocolate Bunny. In the first, the Pope declares the narrator to be a saint, and the two debate the characteristics of sainthood. In the second, the two men discuss evil people, and how to deal morally with them – say, if you were a time traveler with a chance to kill Hitler before he did anything truly evil. The second story worked better for me, the ending in particular being clever and thought-provoking. (And for all that they are linked, each story can be read independently.)
Locus, April 2007
Also from the April F&SF, David Gerrold’s “The Equally Strange Reappearance of David Gerrold” follows from his January story, in which Gerrold encountered a curious alien – perhaps. Here he returns with a few others to the place in California where he found the alien, hoping to find out more. Which he does – perhaps, or perhaps not. It’s quite amusing – though oddly varied in tone – a tonal variance which actually rather works.
Locus, February 2013
F&SF's first 2013 issue is a solid one. ... David Gerrold offers a fine little horror story in “Night Train to Paris”, in which a writer on said train encounters a man who tells him a story about how people seem to go missing from this train fairly often.
Locus, July 2015
David Gerrold is a thoroughgoing professional storyteller, and “Entanglements”, from the May-June
F&SF, is a great example. It's engaging from the go, telling of a writer named David Gerrold and his 70th birthday and how Pesky Dan Goodman (“Peskydang”) ruined it, between the rented giraffe and his unique gift. This is very funny stuff, and then comes the gift, which is, it turns out, a way to learn about yourself in parallel universes. And, without forgetting to entertain, the story takes on some gravitas, as Gerrold learns (predictably enough, I suppose, but believably as well) that all choices come with consequences, good, bad, and just different.
Locus, November 2016
This month at F&SF we have the first of their Special Author issues in almost a decade, this one honoring David Gerrold. His contributions include two novellas and a short memoir, and Kristine Kathryn Rusch adds a nice essay. The novellas are both enjoyable, and quite different from each other, though neither is as good as Gerrold's best recent work. “The Further Adventures of Mr. Costello” continues the story of the eponymous “hero” of Theodore Sturgeon's “Mr. Costello, Hero”. Mr. Costello comes to Haven, a beautiful and not very crowded colony planet. He has a plan to get rich – and, he says, make a lot of other people rich – by herding the dangerous horgs into a place where they can be economically butchered. The narrator is newly married into a large family, with a couple of husbands and four wives, and a good business harvesting glitter bushes. But somehow they get inveigled into Costello's schemes. Costello's charisma and dangerous manipulativeness are well-depicted, and the science-fictional touches – the social organization of Haven, the ecological details – are nicely done as well; and there's a nice resolution. “The Dunsmuir Horror” is the continuing adventures of our author himself, in the form of a letter to Gordon van Gelder. This story is about a city in California that doesn't exist, due to a terrible history involving the massacre of Native Americans – or does it exist? It's amusingly told, as we expect, but it rambles a bit too much.
Locus, July 2018
Even better – one of the best novellas of the year to date – is “Bubble and Squeak” (Asimov's, May-June), by David Gerrold and Ctein. Bubble and Squeak are James Liddle and Hu Son, who are planning to get married this day, then head to Hawaii on their honeymoon. But they hear that there has been a major earthquake in Hawaii – so no honeymoon – and then they realize that the earthquake means a tsunami is heading to their home in Los Angeles. Which means they need to get to higher ground pronto. Fortunately, James is a SCUBA instructor, and they head out quickly on their bikes, and with what they can carry, including some SCUBA equipment. Of course, everyone else is heading for higher ground as well … The story is simply terrifically exciting, involving a plausible mix of heroism, foolishness, brutality, luck, and intelligence, on their part and others, as they struggle to find a way to a safe place, and as various options are closed off over time. Really exciting work.
Locus, September 2005
David Gerrold offers a pair of linked stories, "A Quantum Bit Exists in Two States Simultaneously", the first one "On", the second one "Off". Each story is built around a conversation between the narrator (who much resembles Gerrold), and Dan Goodman, Pope Daniel the First of the Church of the Chocolate Bunny. In the first, the Pope declares the narrator to be a saint, and the two debate the characteristics of sainthood. In the second, the two men discuss evil people, and how to deal morally with them – say, if you were a time traveler with a chance to kill Hitler before he did anything truly evil. The second story worked better for me, the ending in particular being clever and thought-provoking. (And for all that they are linked, each story can be read independently.)
Locus, April 2007
Also from the April F&SF, David Gerrold’s “The Equally Strange Reappearance of David Gerrold” follows from his January story, in which Gerrold encountered a curious alien – perhaps. Here he returns with a few others to the place in California where he found the alien, hoping to find out more. Which he does – perhaps, or perhaps not. It’s quite amusing – though oddly varied in tone – a tonal variance which actually rather works.
Locus, February 2013
F&SF's first 2013 issue is a solid one. ... David Gerrold offers a fine little horror story in “Night Train to Paris”, in which a writer on said train encounters a man who tells him a story about how people seem to go missing from this train fairly often.
Locus, July 2015
David Gerrold is a thoroughgoing professional storyteller, and “Entanglements”, from the May-June
F&SF, is a great example. It's engaging from the go, telling of a writer named David Gerrold and his 70th birthday and how Pesky Dan Goodman (“Peskydang”) ruined it, between the rented giraffe and his unique gift. This is very funny stuff, and then comes the gift, which is, it turns out, a way to learn about yourself in parallel universes. And, without forgetting to entertain, the story takes on some gravitas, as Gerrold learns (predictably enough, I suppose, but believably as well) that all choices come with consequences, good, bad, and just different.
Locus, November 2016
This month at F&SF we have the first of their Special Author issues in almost a decade, this one honoring David Gerrold. His contributions include two novellas and a short memoir, and Kristine Kathryn Rusch adds a nice essay. The novellas are both enjoyable, and quite different from each other, though neither is as good as Gerrold's best recent work. “The Further Adventures of Mr. Costello” continues the story of the eponymous “hero” of Theodore Sturgeon's “Mr. Costello, Hero”. Mr. Costello comes to Haven, a beautiful and not very crowded colony planet. He has a plan to get rich – and, he says, make a lot of other people rich – by herding the dangerous horgs into a place where they can be economically butchered. The narrator is newly married into a large family, with a couple of husbands and four wives, and a good business harvesting glitter bushes. But somehow they get inveigled into Costello's schemes. Costello's charisma and dangerous manipulativeness are well-depicted, and the science-fictional touches – the social organization of Haven, the ecological details – are nicely done as well; and there's a nice resolution. “The Dunsmuir Horror” is the continuing adventures of our author himself, in the form of a letter to Gordon van Gelder. This story is about a city in California that doesn't exist, due to a terrible history involving the massacre of Native Americans – or does it exist? It's amusingly told, as we expect, but it rambles a bit too much.
Locus, July 2018
Even better – one of the best novellas of the year to date – is “Bubble and Squeak” (Asimov's, May-June), by David Gerrold and Ctein. Bubble and Squeak are James Liddle and Hu Son, who are planning to get married this day, then head to Hawaii on their honeymoon. But they hear that there has been a major earthquake in Hawaii – so no honeymoon – and then they realize that the earthquake means a tsunami is heading to their home in Los Angeles. Which means they need to get to higher ground pronto. Fortunately, James is a SCUBA instructor, and they head out quickly on their bikes, and with what they can carry, including some SCUBA equipment. Of course, everyone else is heading for higher ground as well … The story is simply terrifically exciting, involving a plausible mix of heroism, foolishness, brutality, luck, and intelligence, on their part and others, as they struggle to find a way to a safe place, and as various options are closed off over time. Really exciting work.
Old Bestseller: The Princess Priscilla's Fortnight, by Elizabeth Von Arnim
Old Bestsellers: The Princess Priscilla's Fortnight, by Elizabeth Von Arnim
a review by Rich Horton
I'm trying to get to as many of the really prominent turn of the 20th Century bestseller writers as I can (except for Thomas Dixon), and I knew I would have to get to Elizabeth Von Arnim sometime. She is most famous, even now, for her first novel, Elizabeth and her German Garden (1898), a lightly satirical novel about an Englishwoman trying to adjust to life in German high society after her marriage, and also trying to grow a garden. It was so successful that her most common byline was "By the author of Elizabeth and her German Garden", eventually just "By Elizabeth".
In fact, though, Elizabeth Von Arnim was born Mary Annette Beauchamp in Australia in 1866. One of her cousins, Katherine Mansfield Beauchamp, is better known as the great writer Katherine Mansfield. Mary was raised in England from the age of three, and 1891 married the Graf Von Arnim, and moved to Germany with her husband. The marriage was not a success, though they had five children. The Graf was abusive and strict, and also constantly in debt, eventually going to prison. Elizabeth and her German Garden was quite autobiographical, though probably somewhat softened. After she divorced her first husband, Elizabeth had an affair with H. G. Wells, then married Bertrand Russell's brother, becoming a Countess in the process. (Of course, a Graf and an Earl are of roughly the same rank.) That marriage also failed, and Elizabeth moved to the United States for a time, and died there in 1941. Two of her novels (Mr. Skeffington and The Enchanted April) were made into Academy Award-nominated films, some 5 decades apart.
The Princess Priscilla's Fortnight was published in 1905. My edition is possibly a First, published by Smith, Elder & Co. of London. It is inscribed Lillian G. Baukart, Nov. 1905; and also has an Ex Libris sticker from one Robert W. Dickerman. It was also made into a film, The Runaway Princess, in 1929.
Priscilla is the daughter of the Grand Duke of a German principality. She is too intelligent for her own good, apparently, and also quite beautiful, but she has refused all offers of marriage, preferring to study poetry with her tutor and English teacher, Herr Fritzing, called Fritzi. After one more, particularly eligible, suitor asks for her hand, she decides to flee to England and live in poverty, nurturing her soul. Herr Fritzing agrees to help.
And so they flee, with a maid and some of Fritzi's money. By sheer luck they make their way to the village of Symford. And they start -- quite innocently -- causing trouble. They insist on buying two cottages from the woman who runs the place, Lady Shuttlesworth. But the cottages are occupied, so Fritzing pays for new cottages to be built for those expelled. And Priscilla is noticed by two young men, Lady Shuttlesworth's poetically minded and frail son Augustus, and the Vicar's son, Robin. Both fall desperately in love with her.
Meanwhile, Priscilla is beneficently giving the poor people around her money. This offends the Vicar's wife, a rather horrible person. The same woman is really annoyed when Priscilla throws a party for the local children -- on a Sunday! And neither Priscilla nor Fritzing has the faintest idea of how to run a household without an army of competent servants -- and the maid they took with them, Annalise, is disgusted by their position, and begins to conspire against them.
Disasters begin to pile up (including a murder). Priscilla and Fritzing go hungry, and are terribly uncomfortable. Priscilla is forced to reject the attentions of Augustus and Robin -- both young men think she is beautiful but poor, and she instead treats them as any Princess would treat young men of nothing like her rank who dare to try to court her. So, quite soon Priscilla and Fritzi are in despair -- and out of money -- until an unexpected person (unexpectd, that is, by everyone but the reader) turns up to rescue the situation.
It's, well, OK in its way. Sometimes gently funny, sometimes a bit too much. Terribly classist -- Von Arnim, a noblewoman herself, is quite comfortable with Priscilla's assumption of all the privilege a Princess must be due. But at the same time Von Arnim is acutely aware of how foolish the Princess really is. All ends happily enough (except for the murdered woman). It goes on perhaps a bit long, and the gentle satire is enjoyable sometimes and at other times a bit wearing. Still and all, I'm glad I read it.
a review by Rich Horton
I'm trying to get to as many of the really prominent turn of the 20th Century bestseller writers as I can (except for Thomas Dixon), and I knew I would have to get to Elizabeth Von Arnim sometime. She is most famous, even now, for her first novel, Elizabeth and her German Garden (1898), a lightly satirical novel about an Englishwoman trying to adjust to life in German high society after her marriage, and also trying to grow a garden. It was so successful that her most common byline was "By the author of Elizabeth and her German Garden", eventually just "By Elizabeth".
In fact, though, Elizabeth Von Arnim was born Mary Annette Beauchamp in Australia in 1866. One of her cousins, Katherine Mansfield Beauchamp, is better known as the great writer Katherine Mansfield. Mary was raised in England from the age of three, and 1891 married the Graf Von Arnim, and moved to Germany with her husband. The marriage was not a success, though they had five children. The Graf was abusive and strict, and also constantly in debt, eventually going to prison. Elizabeth and her German Garden was quite autobiographical, though probably somewhat softened. After she divorced her first husband, Elizabeth had an affair with H. G. Wells, then married Bertrand Russell's brother, becoming a Countess in the process. (Of course, a Graf and an Earl are of roughly the same rank.) That marriage also failed, and Elizabeth moved to the United States for a time, and died there in 1941. Two of her novels (Mr. Skeffington and The Enchanted April) were made into Academy Award-nominated films, some 5 decades apart.
The Princess Priscilla's Fortnight was published in 1905. My edition is possibly a First, published by Smith, Elder & Co. of London. It is inscribed Lillian G. Baukart, Nov. 1905; and also has an Ex Libris sticker from one Robert W. Dickerman. It was also made into a film, The Runaway Princess, in 1929.Priscilla is the daughter of the Grand Duke of a German principality. She is too intelligent for her own good, apparently, and also quite beautiful, but she has refused all offers of marriage, preferring to study poetry with her tutor and English teacher, Herr Fritzing, called Fritzi. After one more, particularly eligible, suitor asks for her hand, she decides to flee to England and live in poverty, nurturing her soul. Herr Fritzing agrees to help.
And so they flee, with a maid and some of Fritzi's money. By sheer luck they make their way to the village of Symford. And they start -- quite innocently -- causing trouble. They insist on buying two cottages from the woman who runs the place, Lady Shuttlesworth. But the cottages are occupied, so Fritzing pays for new cottages to be built for those expelled. And Priscilla is noticed by two young men, Lady Shuttlesworth's poetically minded and frail son Augustus, and the Vicar's son, Robin. Both fall desperately in love with her.
Meanwhile, Priscilla is beneficently giving the poor people around her money. This offends the Vicar's wife, a rather horrible person. The same woman is really annoyed when Priscilla throws a party for the local children -- on a Sunday! And neither Priscilla nor Fritzing has the faintest idea of how to run a household without an army of competent servants -- and the maid they took with them, Annalise, is disgusted by their position, and begins to conspire against them.
Disasters begin to pile up (including a murder). Priscilla and Fritzing go hungry, and are terribly uncomfortable. Priscilla is forced to reject the attentions of Augustus and Robin -- both young men think she is beautiful but poor, and she instead treats them as any Princess would treat young men of nothing like her rank who dare to try to court her. So, quite soon Priscilla and Fritzi are in despair -- and out of money -- until an unexpected person (unexpectd, that is, by everyone but the reader) turns up to rescue the situation.
It's, well, OK in its way. Sometimes gently funny, sometimes a bit too much. Terribly classist -- Von Arnim, a noblewoman herself, is quite comfortable with Priscilla's assumption of all the privilege a Princess must be due. But at the same time Von Arnim is acutely aware of how foolish the Princess really is. All ends happily enough (except for the murdered woman). It goes on perhaps a bit long, and the gentle satire is enjoyable sometimes and at other times a bit wearing. Still and all, I'm glad I read it.
Sunday, January 20, 2019
Birthday Review: Short Fiction of Kij Johnson
Another birthday today is that of the wonderful and versatile Kij Johnson. Here's a collection of my Locus reviews (plus one from my blog) of her work:
Capsule look at Conqueror Fantastic (2004)
Kij Johnson's "The Empress Jingu Fishes" (Conqueror Fantastic) is a short, beautiful, evocation of a Japanese Empress.
Locus, November 2007
And finally to two very strong original anthologies. Ellen Datlow and Terri Windling offer another themed book on folk themes: The Coyote Road. The subject is trickster tales, and fortunately the theme has been interpreted very freely.... In Kij Johnson’s “The Evolution of Trickster Stories Among the Dogs of North Park After the Change”, the title “Change” is animals learning to talk, which proves difficult for pet owners for multiple reasons. Many dogs are abandoned, and many are killed. The story revolves around a series of cunningly changing tales the newly speaking dogs in one small city park tell a sympathetic woman. The thought-provoking real subject, of course, is our present relationship with non-speaking animals.
Locus, July 2008
From the July Asimov’s, Kij Johnson’s “26 Monkeys, Also the Abyss” is a sheer delight. Aimee is the operator of an act featuring 26 monkeys, who perform various stunts, then disappear. The story, of course, isn’t about the monkeys disappearing – it’s about Aimee, and how she got there, and her boyfriend, and their future, if they have one.
Locus, January 2010
Clarkesworld also continues to provide really strong work, much of it Science Fiction of an unusual cast. For instance, from October, Kij Johnson’s “Spar”, a story of a human and an alien marooned together on a space lifeboat. It’s aggressively unpleasant – their only communication seems to be sex – if it counts as sex – but unforgettable.
Review of Eclipse 4, from the May 2011 Locus
“Story Kit”, by Kij Johnson, begins with Damon Knight’s six story types, and continues by listing a number of stories of abandoned women … It’s about a woman, a writer, who, we gather without quite being told in so many words, has been dumped. Much of the story is meditation on the story of Dido (Queen of Carthage, loved and then abandoned by Aeneas). It’s interesting, and well-written ...
Locus, November 2011
The other novella from the October-November Asimov's is outstanding: “The Man Who Bridged the Mist”, by Kij Johnson. Kit is an engineer, taking over a project to build a bridge across a river of a strange substance called “mist”. The story is quiet, fairly simple, but involving throughout, as we see Kit's job from numerous angles: there are engineering problems, management problems, tragedies, potential issues with the locals (including the “Ferry” people, whose business would vanish with the success of the bridge). There's Kit's history, and his rootless life. There's the somewhat (but not terribly) exotic setting. I don't think the story has any “wow” moments – it's just a solid accumulation of absorbing detail.
Locus, October 2012
Kij Johnson's “Mantis Wives” (Clarkesworld, August) is a short sharp look at male/female relations described as if women, like mantises, devour their mates.
Locus, October 2016
Also from Tor.com, in this case their line of novellas, is a beautiful story by Kij Johnson, The Dream Quest of Vellitt Boe. This is evidently in dialogue with H. P. Lovecraft’s “The Dream Quest of Unknown Kadash” (which I confess I have not read), though I was more reminded of Lord Dunsany: and after all Lovecraft’s story (unpublished in his lifetime) was written quite overtly under the influence of Dunsany. Johnson, as well, writes of a Lovecraftian world with, well, actual recognizable women! Vellitt Boe is a professor at a women’s college in the Dreamlands. One of her students has run away with a dreamer – a man from our world. This is a problem, because her father is influential … and, as it happens, her grandfather even more so, in scary way. So Vellitt, who has experience wandering, must set off after her, through very dangerous places, and even an encounter with her old lover, Randolph Carter, in search of a way to the waking world, to persuade her student to return. This story is just beautifully written – way more Dunsany than Lovecraft! – and exciting, and well imagined, using the good stuff from Lovecraft and new good stuff, and honest about consequences. Unquestionably one of the stories of the year.
Capsule look at Conqueror Fantastic (2004)
Kij Johnson's "The Empress Jingu Fishes" (Conqueror Fantastic) is a short, beautiful, evocation of a Japanese Empress.
Locus, November 2007
And finally to two very strong original anthologies. Ellen Datlow and Terri Windling offer another themed book on folk themes: The Coyote Road. The subject is trickster tales, and fortunately the theme has been interpreted very freely.... In Kij Johnson’s “The Evolution of Trickster Stories Among the Dogs of North Park After the Change”, the title “Change” is animals learning to talk, which proves difficult for pet owners for multiple reasons. Many dogs are abandoned, and many are killed. The story revolves around a series of cunningly changing tales the newly speaking dogs in one small city park tell a sympathetic woman. The thought-provoking real subject, of course, is our present relationship with non-speaking animals.
Locus, July 2008
From the July Asimov’s, Kij Johnson’s “26 Monkeys, Also the Abyss” is a sheer delight. Aimee is the operator of an act featuring 26 monkeys, who perform various stunts, then disappear. The story, of course, isn’t about the monkeys disappearing – it’s about Aimee, and how she got there, and her boyfriend, and their future, if they have one.
Locus, January 2010
Clarkesworld also continues to provide really strong work, much of it Science Fiction of an unusual cast. For instance, from October, Kij Johnson’s “Spar”, a story of a human and an alien marooned together on a space lifeboat. It’s aggressively unpleasant – their only communication seems to be sex – if it counts as sex – but unforgettable.
Review of Eclipse 4, from the May 2011 Locus
“Story Kit”, by Kij Johnson, begins with Damon Knight’s six story types, and continues by listing a number of stories of abandoned women … It’s about a woman, a writer, who, we gather without quite being told in so many words, has been dumped. Much of the story is meditation on the story of Dido (Queen of Carthage, loved and then abandoned by Aeneas). It’s interesting, and well-written ...
Locus, November 2011
The other novella from the October-November Asimov's is outstanding: “The Man Who Bridged the Mist”, by Kij Johnson. Kit is an engineer, taking over a project to build a bridge across a river of a strange substance called “mist”. The story is quiet, fairly simple, but involving throughout, as we see Kit's job from numerous angles: there are engineering problems, management problems, tragedies, potential issues with the locals (including the “Ferry” people, whose business would vanish with the success of the bridge). There's Kit's history, and his rootless life. There's the somewhat (but not terribly) exotic setting. I don't think the story has any “wow” moments – it's just a solid accumulation of absorbing detail.
Locus, October 2012
Kij Johnson's “Mantis Wives” (Clarkesworld, August) is a short sharp look at male/female relations described as if women, like mantises, devour their mates.
Locus, October 2016
Birthday Review: Short Fiction of Nancy Kress
Today is Nancy Kress's birthday. She's been writing great science fiction for over 40 years. Her 1985 story "Out of All Them Bright Stars" is on my list of the best SF short stories of all time. I didn't start reviewing for Locus until 2002, so this compilation of my reviews doesn't include work like "Out of All Them Bright Stars", nor "Beggars in Spain", nor "The Flowers of Aulit Prison", but she continues to produce exceptional stories.
Locus, June 2002
Nancy Kress' "The Most Famous Little Girl in the World" (Sci Fiction) is also solid, about a little girl who is taken aboard an alien ship. Her cousin tells of both their lives, intertwined with the periodic tentative revisits by the aliens, over much of the 21st century. The focus is on the two women's characters, as opposed to the aliens or the 21st century history portrayed, and it's well done
Locus, September 2003, review of Stars
The Janis Ian/Mike Resnick anthology Stars features a topnotch list of writers riffing on Ian's songs. ... Nancy Kress's "Ej-Es" takes us to a colony world just being visited by a medical ship. The colony has been ravaged by a plague, and the survivors live in squalor. But a side effect of the plague is hallucinations, very attractive hallucinations. The team faces a difficult question of medical ethics. In this case it's quite interesting to read the lyrics to Ian's song "Jesse" and see how Kress has run with some of the implications.
Locus, June 2006
Nancy Kress’s “Nano Comes to Clifford Falls” (Asimov's) is also strong work, about the promise and pitfalls of nanotechnology as demonstrated by its arrival at a small town. As long as I’m namedropping old novels, the obvious antecedent here is Damon Knight’s very dark A for Anything.
Locus, December 2006
Nancy Kress’s “Safeguard” is a scary and thought-provoking story that felt a bit strained to me. Still, it raises wrenching questions. It opens with four rather odd children in what is clearly an artificial habitat. But in a disaster the habitat breaks. Their “caretaker” picks them up, and she is, we soon learn, presented with a dilemma. The children are apparently bio-weapons – carriers of a plague. But she loves them – how can she kill them? But if she doesn’t kill them, is she instead killing millions?
Summary of Baen's Universe, 2008
By contrast, my two favorite novelettes came from veteran writers. These are Nancy Kress's "First Rites" (October) and David Brin's "The Smartest Mob" (February). ... Kress's "First Rites" is a tense story of a genetic modification that leads to a new form of consciousness -- not necessarily with happy results.
Locus, March 2009
The March Asimov’s also features a fine novella from Nancy Kress, “Act One”. The story is told by Barry Tenler, the agent for a slightly aging actress, Jane Snow. Jane is preparing for a movie about children with a controversial genetic modification which makes people extremely empathic. Barry has a special personal reason for concern about genetic mods – he wanted his son to share his dwarfism, and insisted on genetic changes when the fetus tested “normal” – changes which didn’t quite work. And in the wider world, all such genetic treatment is of course very controversial. But, as “Act One” shows, there are unexpected side effects to even apparently beneficial changes like increased empathy – and there may be worse side effects when fanatics, on either side of the issue – get involved.
Life on Mars review, May 2009 Locus
And Nancy Kress’s “First Principle” deals with Martians who have been specially adapted to live there, and with the prejudice of some Earth people – in this case, particularly an obnoxious teenaged boy – who can’t deal with their differences.
Locus, October 2007
The New Space Opera, edited by Gardner Dozois and Jonathan Strahan, will definitely rank among the landmark original anthologies of the year. I greatly enjoyed it – if I had one quibble it would be that a book of “New” stories probably ought to have included a couple of “newer” authors – every author included is quite well-established indeed. I lack space to cover it in detail. There are many strong stories – .... Nancy Kress’s “Art of War” examines the tragic disconnect between an alien species view of art – and how they interpret looted human art – and the human view.
Locus, October 2008
The major novellas at the fall Asimov’s Double Issue are from Robert Reed (b. 1956) and Nancy Kress (b. 1948) – so both members of the Baby Boomer class. Both stories are enjoyable. It is Kress’s “The Erdmann Nexus” that does seem to me, however, a bit old-fashioned: almost explicitly channeling Theodore Sturgeon. Henry Erdmann is an aging physicist living in a nursing home, who is scared by brief strokelike incidents – but no brain damage is involved, and eventually there are apparent links to the memories of other residents of the home. And soon he learns that many of his fellow residents are indeed having similar episodes. The resolution – signaled from the beginning – is not surprising: elderly people are evolving into a higher consciousness. Kress does take this familiar idea in a slightly unexpected direction at the end – and there is a subplot involving a young attendant and her abusive husband that I found involving
Locus, November 2009
I have three months of Fantasy Magazine to catch up with. From September I particularly liked Nancy Kress’s “Images of Anna”. A “glamour shot” photographer is surprised when his photos of an engaging middle-aged woman turn up very strange – other people appear in them instead of the subject. He learns that the photographs are for her new boyfriend, who she met online – which raises red flags for him. But on continued investigation things only get stranger, and the eventual explanation is surprising and effective. The story works nicely metaphorically, in portraying the way a lonely and nice person sees herself … and fantastically, with the really quite delightful conclusion.
Locus, January 2014
In “Pathways” Nancy Kress (Twelve Tomorrows) tells of a backwoods family with a recurring genetic disorder: Fatal Familial Insomnia (sort of the real-life version of her “Sleepless”, without the positive aspects). Ludie, the narrator, is a young woman with the gene, who volunteers for an experimental treatment, against the wishes of her family, and in the face of a deadline – a cartoon -version Libertarian President is about to be voted out in favor of someone who will restrict this sort of research (but restore welfare programs). What works here, and works well, is the characters – Ludie and her family, and the Chinese doctor doing the research. Moving stuff, if, again, with a hint of wish-fulfillment in the background.
Locus, October 2016
In Now We Are Ten, there’s a good, short, fable-like piece from Nancy Kress, “Pyramid”, something of an allegory on success (appropriately for a retrospective anthology like this, there are nods to a number of SF greats).
Locus, June 2002
Nancy Kress' "The Most Famous Little Girl in the World" (Sci Fiction) is also solid, about a little girl who is taken aboard an alien ship. Her cousin tells of both their lives, intertwined with the periodic tentative revisits by the aliens, over much of the 21st century. The focus is on the two women's characters, as opposed to the aliens or the 21st century history portrayed, and it's well done
Locus, September 2003, review of Stars
The Janis Ian/Mike Resnick anthology Stars features a topnotch list of writers riffing on Ian's songs. ... Nancy Kress's "Ej-Es" takes us to a colony world just being visited by a medical ship. The colony has been ravaged by a plague, and the survivors live in squalor. But a side effect of the plague is hallucinations, very attractive hallucinations. The team faces a difficult question of medical ethics. In this case it's quite interesting to read the lyrics to Ian's song "Jesse" and see how Kress has run with some of the implications.
Locus, June 2006
Nancy Kress’s “Nano Comes to Clifford Falls” (Asimov's) is also strong work, about the promise and pitfalls of nanotechnology as demonstrated by its arrival at a small town. As long as I’m namedropping old novels, the obvious antecedent here is Damon Knight’s very dark A for Anything.
Locus, December 2006
Nancy Kress’s “Safeguard” is a scary and thought-provoking story that felt a bit strained to me. Still, it raises wrenching questions. It opens with four rather odd children in what is clearly an artificial habitat. But in a disaster the habitat breaks. Their “caretaker” picks them up, and she is, we soon learn, presented with a dilemma. The children are apparently bio-weapons – carriers of a plague. But she loves them – how can she kill them? But if she doesn’t kill them, is she instead killing millions?
Summary of Baen's Universe, 2008
By contrast, my two favorite novelettes came from veteran writers. These are Nancy Kress's "First Rites" (October) and David Brin's "The Smartest Mob" (February). ... Kress's "First Rites" is a tense story of a genetic modification that leads to a new form of consciousness -- not necessarily with happy results.
Locus, March 2009
The March Asimov’s also features a fine novella from Nancy Kress, “Act One”. The story is told by Barry Tenler, the agent for a slightly aging actress, Jane Snow. Jane is preparing for a movie about children with a controversial genetic modification which makes people extremely empathic. Barry has a special personal reason for concern about genetic mods – he wanted his son to share his dwarfism, and insisted on genetic changes when the fetus tested “normal” – changes which didn’t quite work. And in the wider world, all such genetic treatment is of course very controversial. But, as “Act One” shows, there are unexpected side effects to even apparently beneficial changes like increased empathy – and there may be worse side effects when fanatics, on either side of the issue – get involved.
Life on Mars review, May 2009 Locus
And Nancy Kress’s “First Principle” deals with Martians who have been specially adapted to live there, and with the prejudice of some Earth people – in this case, particularly an obnoxious teenaged boy – who can’t deal with their differences.
Locus, October 2007
The New Space Opera, edited by Gardner Dozois and Jonathan Strahan, will definitely rank among the landmark original anthologies of the year. I greatly enjoyed it – if I had one quibble it would be that a book of “New” stories probably ought to have included a couple of “newer” authors – every author included is quite well-established indeed. I lack space to cover it in detail. There are many strong stories – .... Nancy Kress’s “Art of War” examines the tragic disconnect between an alien species view of art – and how they interpret looted human art – and the human view.
Locus, October 2008
The major novellas at the fall Asimov’s Double Issue are from Robert Reed (b. 1956) and Nancy Kress (b. 1948) – so both members of the Baby Boomer class. Both stories are enjoyable. It is Kress’s “The Erdmann Nexus” that does seem to me, however, a bit old-fashioned: almost explicitly channeling Theodore Sturgeon. Henry Erdmann is an aging physicist living in a nursing home, who is scared by brief strokelike incidents – but no brain damage is involved, and eventually there are apparent links to the memories of other residents of the home. And soon he learns that many of his fellow residents are indeed having similar episodes. The resolution – signaled from the beginning – is not surprising: elderly people are evolving into a higher consciousness. Kress does take this familiar idea in a slightly unexpected direction at the end – and there is a subplot involving a young attendant and her abusive husband that I found involving
Locus, November 2009
I have three months of Fantasy Magazine to catch up with. From September I particularly liked Nancy Kress’s “Images of Anna”. A “glamour shot” photographer is surprised when his photos of an engaging middle-aged woman turn up very strange – other people appear in them instead of the subject. He learns that the photographs are for her new boyfriend, who she met online – which raises red flags for him. But on continued investigation things only get stranger, and the eventual explanation is surprising and effective. The story works nicely metaphorically, in portraying the way a lonely and nice person sees herself … and fantastically, with the really quite delightful conclusion.
Locus, January 2014
In “Pathways” Nancy Kress (Twelve Tomorrows) tells of a backwoods family with a recurring genetic disorder: Fatal Familial Insomnia (sort of the real-life version of her “Sleepless”, without the positive aspects). Ludie, the narrator, is a young woman with the gene, who volunteers for an experimental treatment, against the wishes of her family, and in the face of a deadline – a cartoon -version Libertarian President is about to be voted out in favor of someone who will restrict this sort of research (but restore welfare programs). What works here, and works well, is the characters – Ludie and her family, and the Chinese doctor doing the research. Moving stuff, if, again, with a hint of wish-fulfillment in the background.
Locus, October 2016
In Now We Are Ten, there’s a good, short, fable-like piece from Nancy Kress, “Pyramid”, something of an allegory on success (appropriately for a retrospective anthology like this, there are nods to a number of SF greats).
Thursday, January 17, 2019
Old "Bestseller": The Flower Beneath the Foot (and two other novels), by Ronald Firbank
Capsule Looks at The Flower Beneath the Foot (and two other novels), by Ronald Firbank
a review by Rich Horton
Ronald Firbank was born January 17, 1886. He was one of the oddest and most original writers of the early 20th century -- his works are rather decadent, rather campy, quite funny, and not like any other writer I know. In memory of his birthday, here's some short things I wrote about a few of his novels (and one minor short story) a number of years ago.
A very different sort of comedy is practiced by Ronald Firbank. Firbank was a Roman Catholic Englishman of considerable independent means (his father was a railroad tycoon), who lived from 1886 to 1926. Firbank was also homosexual, and apparently terribly impractical, and quite shy. He wrote several novels, a few short stories and a play, starting in about 1907. He published the novels at his own expense, partly because they are so odd, partly, I think, because he couldn't really be bothered dealing with business details. But even during his life he gained considerable notice, and even had one strong seller in the US, with his novel Sorrow in Sunlight, retitled Prancing N****r by his American publisher in an apparently successful attempt to gain notice.
Firbank's novels are fey, highly mannered, creations, essentially comedies of manners, but the "manners" tend to be rather unusual. I'd read several of his novels a few years ago, but I just got a copy of the Complete Firbank, and I decided to reread some of them.
1. The Flower Beneath the Foot
I began with The Flower Beneath the Foot (1923). This story is set in the fictional country of Pisuerga, and its plot turns on the love affair between the Crown Prince Yousef and one Laura Nazianzi. But Laura is not highly placed enough to satisfy the King and Queen, who are pushing for a marriage to an English Princess. All seems conventional enough, but of course the plot such as it is has nothing really to do with the novel.
It's all really about conversations, wicked conversations. Firbank is among other things a very cruel writer -- his characters die, fail in love, and most of all are shown up as being very very silly. They also occasionally have funny names like Sir Somebody Something or Madame Wetme. One character has a favorite Shakespeare play -- "Julia Sees Her". Many of the women are intriguing to seduce other women, one way or another. Even Laura Nazianzi seems more excited by the prospect of returning to the convent and her special friend (complete with birch rod) than by the prospect of a relationship with Prince Yousef. It's all very arch, and terribly witty, and quite funny but perhaps best appreciated in smallish doses -- which is OK because this novel, as with all of Firbank, is pretty short.
2. Valmouth (and "Odette")
Valmouth, a rather short novel, is apparently generally regarded as Firbank's best, and at any rate I like it the best of his work that I've read. It's set in a seaside resort, among a varied group of characters, most of whom seem to be over 100 years old, maybe even 150 or so. The plot concerns the plans of the son of one of the women to marry a "foreign" woman, and the effects of this plan on his mother and his previous lover, also there is a side plot concerning the vague attempts of one of the older women to seduce a young farmer. But the plot is nothing really, just an excuse to listen in on the various outre characters. The pleasure is derived from the delicate double-entendres buried in almost every line of dialogue -- concerning masochism, madness, fooling around with priests, etc.
"Odette" on the other hand, a very early story, shows almost nothing of what Firbank would become -- it's a silly and sentimental and moralistic short piece about a young orphan who encounters a prostitute and perhaps effects a change in her life.
3. The Artificial Princess
I read another Ronald Firbank "novel", The Artificial Princess, a story of about 20,000 words completed in 1915 but not published until 1934, several years after Firbank's death. All Firbank is slight in terms of plot, but this seems slighter than usual. It concerns a very young Princess (17) of a fictional country that seems closely to resemble England. The Princess has
a somewhat older companion, the Baroness. She sends her on a mission to a potential lover, but the Devil intervenes and the Baroness encounters a potential lover of her own. The action closes at a play written by another member of the court, the Mistress of the Robes, with encounters for the Princess and Baroness both in the offing.
Feather light, its attractions result from Firbank's characteristic fey description and arch dialogue. Still, it seems rather a lesser work than the other Firbank novels I have read. (Perhaps it is not a surprise the Firbank did not publish it in his lifetime.)
a review by Rich Horton
Ronald Firbank was born January 17, 1886. He was one of the oddest and most original writers of the early 20th century -- his works are rather decadent, rather campy, quite funny, and not like any other writer I know. In memory of his birthday, here's some short things I wrote about a few of his novels (and one minor short story) a number of years ago.
A very different sort of comedy is practiced by Ronald Firbank. Firbank was a Roman Catholic Englishman of considerable independent means (his father was a railroad tycoon), who lived from 1886 to 1926. Firbank was also homosexual, and apparently terribly impractical, and quite shy. He wrote several novels, a few short stories and a play, starting in about 1907. He published the novels at his own expense, partly because they are so odd, partly, I think, because he couldn't really be bothered dealing with business details. But even during his life he gained considerable notice, and even had one strong seller in the US, with his novel Sorrow in Sunlight, retitled Prancing N****r by his American publisher in an apparently successful attempt to gain notice.
Firbank's novels are fey, highly mannered, creations, essentially comedies of manners, but the "manners" tend to be rather unusual. I'd read several of his novels a few years ago, but I just got a copy of the Complete Firbank, and I decided to reread some of them.
1. The Flower Beneath the Foot
I began with The Flower Beneath the Foot (1923). This story is set in the fictional country of Pisuerga, and its plot turns on the love affair between the Crown Prince Yousef and one Laura Nazianzi. But Laura is not highly placed enough to satisfy the King and Queen, who are pushing for a marriage to an English Princess. All seems conventional enough, but of course the plot such as it is has nothing really to do with the novel.It's all really about conversations, wicked conversations. Firbank is among other things a very cruel writer -- his characters die, fail in love, and most of all are shown up as being very very silly. They also occasionally have funny names like Sir Somebody Something or Madame Wetme. One character has a favorite Shakespeare play -- "Julia Sees Her". Many of the women are intriguing to seduce other women, one way or another. Even Laura Nazianzi seems more excited by the prospect of returning to the convent and her special friend (complete with birch rod) than by the prospect of a relationship with Prince Yousef. It's all very arch, and terribly witty, and quite funny but perhaps best appreciated in smallish doses -- which is OK because this novel, as with all of Firbank, is pretty short.
2. Valmouth (and "Odette")
Valmouth, a rather short novel, is apparently generally regarded as Firbank's best, and at any rate I like it the best of his work that I've read. It's set in a seaside resort, among a varied group of characters, most of whom seem to be over 100 years old, maybe even 150 or so. The plot concerns the plans of the son of one of the women to marry a "foreign" woman, and the effects of this plan on his mother and his previous lover, also there is a side plot concerning the vague attempts of one of the older women to seduce a young farmer. But the plot is nothing really, just an excuse to listen in on the various outre characters. The pleasure is derived from the delicate double-entendres buried in almost every line of dialogue -- concerning masochism, madness, fooling around with priests, etc.
"Odette" on the other hand, a very early story, shows almost nothing of what Firbank would become -- it's a silly and sentimental and moralistic short piece about a young orphan who encounters a prostitute and perhaps effects a change in her life.
3. The Artificial Princess
I read another Ronald Firbank "novel", The Artificial Princess, a story of about 20,000 words completed in 1915 but not published until 1934, several years after Firbank's death. All Firbank is slight in terms of plot, but this seems slighter than usual. It concerns a very young Princess (17) of a fictional country that seems closely to resemble England. The Princess has
a somewhat older companion, the Baroness. She sends her on a mission to a potential lover, but the Devil intervenes and the Baroness encounters a potential lover of her own. The action closes at a play written by another member of the court, the Mistress of the Robes, with encounters for the Princess and Baroness both in the offing.
Feather light, its attractions result from Firbank's characteristic fey description and arch dialogue. Still, it seems rather a lesser work than the other Firbank novels I have read. (Perhaps it is not a surprise the Firbank did not publish it in his lifetime.)
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