Thursday, March 8, 2018

Two Obscure Ace Doubles (Treibich/Janifer, Chandler, Jakes)

Ace Double Reviews, 1: The Rim Gods, by A. Bertram Chandler/The High Hex, by Laurence M. Janifer and S. J. Treibich

Steven J. Treibich was born on March 8, 1936, and died very young in 1972. This would have been his 82nd birthday, so, in his memory, I'm publishing these reviews I did long ago two of his Ace Doubles. The Rim Gods/The High Hex was, in fact, the very first Ace Double review I ever did, back in 2003 on the Usenet newsgroup rec.art.sf.written; and Tonight We Steal the Stars/The Wagered World was the second. I never did get around to Target: Terra (backed with John Rackham's The Proxima Project).

Treibich published one short story and three short novels, all in collaboration with Laurence M. Janifer. I know nothing more about him. Laurence Janifer had an SF career spanning 50 years. He was born Larry Mark Harris (or perhaps Laurence Mark Harris), and changed his name to Janifer (his Polish grandfather's name) in 1963. He used Harris as his byline until that name change. He had a short story in the rather obscure magazine Cosmos in 1953, when he was 20. His real career started in 1959, with a few stories in places like Astounding and Galaxy, under the name Larry M. Harris; and with the first of three collaborative novels with Randall Garrett, under the joint pseudonym Mark Phillips; and with another collaboration with Garrett, published as by Larry M. Harris and Randall Garrett, the vaguely soft-porn SF novel Pagan Passions. Janifer's stories were often amusing -- his main mode is comic. His best known series by far, comprising five novels and many short stories, is the Survivor series, about "Gerald Knave, Survivor", a man whose job is to go to newly opened planets and survive, in so doing discovering and perhaps fixing the particular dangers. Janifer died in 2002, aged 69.

This Ace Double was published in 1969. It's reasonable to suppose that the Chandler "novel" was the primary half -- Chandler had a bigger name than Janifer or certainly Treibich (and indeed his name appeared in much bigger print on the cover) and The Rim Gods is the longer of the two halves. The Rim Gods is about 50,000 words long, The High Hex about 35,000 words.

A. Bertram Chandler (1912-1984) was born in the UK. He spent a long time in the Merchant Navy, first in the UK, and since 1956 in Australia, and his naval background is evident in his stories. His first story appeared in Astounding in 1944, and he continued publishing until his death. The great bulk of his novels concerned Commodore John Grimes, a spaceship commander.

The Rim Gods is presented as a novel, but in fact it is a fixup of four novelettes. The stories are related in that they are all about Chandler's main hero, Commodore John Grimes of the Rim Worlds, and in that they are presented as happening sequentially while Grimes is on an unplanned mini-tour while his wife is away on a vacation of her own. However, they are all pure standalone episodes, complete in themselves. The front matter claims that the "four Parts of this book appeared individually during 1968 in Galaxy magazine". That is not actually correct -- they appeared in Galaxy's sister magazine, If. They did not appear as parts of a serial but as separate novelettes, and not in consecutive issues (but in four out of five consecutive issues). The four stories are of very similar length, each between 12,000 and 13,000 words. I don't know if the stories were revised for book publication, to add the very flimsy connective tissue -- it wouldn't surprise me if they were, however.

Part One was published in the April 1968 If as "The Rim Gods". A group of religious nuts come to Grimes's planet, seeking to establish a new "Sinai" on an abandoned planet to which they believe they can attract God, with the help of an apostate member of their sect. This member happens to be a) a telepath, b) a drug user, and c) a very beautiful woman. Grimes goes along to observe, making sure they don't ruin the planet, and so he witnesses the rather unexpected results of their attempt to attract their God.

Part Two was published in the June 1968 If as "The Bird-Brained Navigator". Grimes visits a planet run by a tolerant bunch of priests, whom he had earlier helped overthrow some robber barons. An incompetent spaceship navigator, realizing his career is likely over when Grimes prepares to set things straight on his ship, tries to escape by sailing ship to the enclave of the robber barons, with the help of a beautiful alien woman. Grimes manages to get aboard the escaping ship and make use of the incompetent navigator's incompetence in foiling his plans.

Part Three was published in the December 1968 If as "The Tin Fishes". Grimes is sent to a water planet, where the local economy being ruined by a plague of mutated starfish. He tries to figure out what's going on while fending off (or not) the advances of a beautiful but dangerous woman. Explicitly James Bondian, as mentioned in the story itself.

Part Four was published in the August 1968 If as "Last Dreamer". On his way home, Grimes encounters an anomalous planet in empty space. Investigating the planet, he finds that he is compelled to talk in rhyme, and to act out a puerile fantasy based on a fairy tale involving rescuing a sleeping princess. Two beautiful women are involved, at least one of them a seducer. The explanation for all this is implausible but kind of cute.

Basically, these are light space opera, and generally enjoyable but not lasting stories. The Rim Worlds are set up to be a nominally SFnal setting but to be hospitable to basically fantastical events occurring -- on the Rim, the fabric of space-time is stretched thin, it is said. I find that offputting but if you just let things flow the stories do pass the time.

(Incidentally, these are part of a long series, and Grimes is supposed to be faithfully married to Sonya at this time -- presumably their courtship occurred in an earlier story. In these stories, amidst much temptation, he only backslides once -- with an indication that he does so only for duty's sake (not that he doesn't enjoy it).)

The High Hex is the second of three novels by Janifer and Treibich. Janifer published a number of stories and novels in a career that lasted from the 50s until his death last year. His most famous stories were about his continuing character Gerald Knave, Survivor -- indeed, three Knave novels have been published by Wildside in the past few years. (That is, the early 2000s.)

The three novels were all parts of Ace Doubles, and I'll get to all three eventually.  (After I read the other halves of their respective Doubles.) The first one was Target: Terra (1968), the third was The Wagered World (1969). They all feature as main character Angelo di Stefano, as of the first book the Intelligence Officer for U. N. Space Station 1.

In the first book Space Station 1 went nuts, and there was a threat that it would blow up the Earth. Angelo eventually figured out what was going on and saved everything, but SS1 was destroyed in the process, putting him out of work. In The High Hex, the other Space Station, #2, which is jointly run by Africans and Haitians (I found the book's presentation of Africans to be rather on the racist side, actually), has been taken over by the African contingent, which is threatening once again to blow up the world. The crew of SS1, augmented by an English-educated witch doctor, head back up to SS2, where they must attempt to use the witch doctor's psychological abilities to "hex" the SS2 crew and stop their nefarious plans. Unfortunately, this effort is interrupted by an invasion of alien robots, who start consuming all the metal on earth to make copies of themselves. Angelo must come up with a way to save the Earth, with the unwilling help of his machine-loving fellow crewman Chris Shaw. He does, naturally, though it seemed to me that technological civilization was pretty much kaput due to the robots eating all the metal before the end of the book.

The main problem with both these books is the very ad hoc nature of the plot. The authors just make silly things up as they go along, and none of the science even remotely makes sense. The only reason to read them is the joky narrative voice, which seems to me to be very much Janifer's voice, very similar to the narrative voice of the Knave books. Thus they can be entertaining as you read along (if you like the voice -- you might just think it's stale), but the whole thing doesn't hold together at all. In sum -- forgettable.

Ace Double Reviews, 2: Tonight We Steal the Stars, by John Jakes/The Wagered World, by Laurence M. Janifer and S. J. Treibich (#81680, 1969, $0.75)


John Jakes became famous (and presumably rich) in the mid 70s when he was hired to write the Kent Family Chronicles, a series of historical novels set in the US during and after the Revolutionary War. The release of these paperback novels was timed to coincide with the Bicentennial celebration. The books had titles like The Bastard, The Furies, and The Americans. These were huge bestsellers at the time, a real phenomenon. They were later made into a couple of television miniseries. Jakes later published a Civil War series, North and South (also made into a miniseries), and he has continued to publish historical novels with some success.



Before the Kent Family Chronicles, however, he was pretty much an old fashioned pulpster, perhaps one of the last. According to his home page, he published over 200 short stories and 60 novels: mysteries, westerns, and science fiction. I recall seeing his novel On Wheels, about people who live in their cars all the time -- this might have been his best known SF novel. He also published a series of Conanesque books about Brak the Barbarian. A few of his SF short stories gained praise, such as "The Sellers of the Dream", anthologized in the Amis/Conquest Spectrum series. But for the most part, he seemed to be regarded as a competent hack, nothing special but a solid professional. Tonight We Steal the Stars is noticeably long for an Ace Double half at 67,000 words. The front matter notes that it is the third in a series about "II Galaxy", apparently a new galaxy (or perhaps the Milky Way redesignated). The previous two novels of the series, When the Star Kings Die (1967) and The Planet Wizard (1968), were published by Ace but as single books. On internal evidence, I would guess the three books share only the setting, each standing alone as to plot and main characters. According to a prologue, 9000 years previously interplanetary civilization fell, but was reconstituted from the wreckage by houses with names of transparent (and highly implausible) derivation: Xero, Ibym, Genmo, Gullffe, and so on. These houses, ruled by the Lords of the Exchange, still rule the Galaxy. They each control certain special products/services, such as transportation in the case of Genmo.

This book is about Wolf Dragonard, a respected Regulator (or cop) for the Genmo family, who is recovering, not well (he's developed a drinking problem), from the death of his wife. He has a sympathetic boss but a sadistic and ambitious underling. The latter schemes to cost him his job, and after an incident the boss maneuvers a vacation/rehab interval on a seedy resort planet. On this planet Wolf encounters a mysterious woman, who seduces him and in the process lets slip some information about a plot to steal the "Stars", the jewels which symbolize the various stars ruled by Genmo. However, things get confusing when Wolf tries to track down the villa where he spent a weekend with this woman -- it had disappeared!

Wolf convinces his boss to send him to the planet Wheel, which is controlled by a former Genmo engineer, who has set up a competitive transportation company. It is on Wheel that the beautiful thief Jenny Sable has been found -- and she is the supposed ringleader of the plot to steal the Stars. Wolf manages to infiltrate Jenny's group, but then things get more complicated. He learns something that makes him suspect Jenny is being set up to fail. He has further doubts about the source of his own information, and about the safety of his boss. And, natch, he begins to fall in love with Jenny.

The resolution involves a fairly exciting breakin sequence, plenty of angst and loyalty stretching for Wolf, and a couple of not too illogical twists. It's by no means a great book, or even, really, good, but it is fairly fun. The ending flattens out just a bit. Certainly the plot in general has a couple of holes. The overall setting is unconvincing. The prose is mostly competent, with a couple of horrible lapses, such as mixing up "infer" and "imply". I think the title is a neat pulp title, and the revelation that "stealing the stars" is just jewelry theft is a bit of a letdown. Not a lasting book, by any means, but a book which basically delivers on its implicit promise -- a couple of hours of fairly mindless entertainment.

The Wagered World is the third and last of Janifer and Treibich's books about Angelo di Stefano, former Intelligence Officer for UN Space Station 1. This is the shortest of this series, the least well structured -- and I think I like it the best.

The story opens with the crew of Space Station 1, including in particular Angelo and his presumptive love interest, ecologist Juli Dental, crashlanding after the destruction of Space Station 2, and the vanquishing of an invading group of alien robots. (See The High Hex.) The open section briefly details the crew's problems in convincing the world's computer system that they are alive even though they were declared dead when their incoming rocket crashed.

The next section sees Angelo and Juli sent on a mission in a hastily cobbled together hyperspace ship, sent to backtrack to the source of the invading robots, in the fear that the real purpose of the robots was to soften up Earth for a follow-on invasion. The two find themselves at a cocktail party featuring the 647 races of the Intergalactic Council, and they also learn that yes, an invasion of Earth is planned. Angelo plays a gambling game, and wins an alien companion.

Upon their return to Earth, they are accused of treason (for consorting with the aliens who are about to invade) and rape (for no very clear reason at first). The third section is basically a courtroom drama which ends in Angelo unconvincingly convincing the invading aliens not to attack and instead let Earth join the Intergalactic Council.

All this makes basically No Sense At All. But the breezy manner of the telling, and the cheeky imagination (especially in the middle section), and perhaps especially the briefness of the tale, make it an enjoyable if very minor book.



Thursday, March 1, 2018

Old Bestseller: The Thirty-First of June, by J. B. Priestley

Old Bestseller: The Thirty-First of June, by J. B. Priestley

a review by Rich Horton


J. B. Priestley (1894-1984) was once an immensely popular figure in English culture, best known perhaps for his plays (perhaps most notably An Inspector Calls), but also an important popular critic, and a radio broadcaster, and a novelist. His 1930 novel Angel Pavement was #5 on that year's list of US bestsellers as reported by Publishers' Weekly. His 1929 novel The Good Companions won the James Tait Black award. And for all that he seems almost utterly forgotten today.

As the (as ever illuminating) entry on Priestley in the Science Fiction Encyclopedia notes, a great deal of his work was at least somewhat Science Fictional or Fantastical in nature. Much of it was informed by J. W. Dunne's extremely influential An Experiment With Time. The novel at hand, The Thirty-First of June (1962) is a lighthearted example: it's an Arthurian Fantasy, sort of, based in part on the idea (which I believe is found in Dunne's work) that somewhere in the universe even fantastical ideas must be actualized. It's very short (perhaps 35,000 words). It's illustrated by John Cooper.

One 31st of June, in the Kingdom of Peradore, a neighbor to Arthur's realm, the Princess Melicent is obsessed with a young man she's seen in a magic mirror, named Sam. Meanwhile in our world, in 1961, Sam is an artist for an advertising agency. He has seen a vision and used her as a model for a stockings ad. But he's wholly disillusioned with his job. Priestley here goes in for a lot of "get off my lawn" sort of commentary/satire on the modern urge to "progress". ("Owing to the deplorable lack of progress in Arthurian England, it was all very peaceful" ...)

Melicent's father is opposed to her marriage to someone as lowborn as Sam. And there are two wizards involved, the good Malagram and the bad Malgrim. Both want a magic brooch. Malagram agrees to bring Melicent to Sam in his world, while Malgrim, along with Melicent's saucily wicked Lady-in-waiting Ninette, conspires to bring Sam to Peradore. This leads, of course, to a lot of hijinks, with Sam thrown in the dungeon, and Melicent making rather an impression as a guest on a TV show.

A salesman, as well as Sam's boss, also end up in Peradore, and soon they are enchanted into becoming a Knight and a Dragon for Sam to overcome in order to earn Melicent's hand. And Malagram and Malgrim keep up trying to foil the other's schemes ... But perhaps there is a compromise available? After all, surely there is money to be made turning Peradore into a tourist destination?

It's all really rather silly, but silly in just the way we expect. And it manages, despite the "get off my lawn" vibe, to be really pretty funny, especially in the scenes in a bar, with Sam and the barmaid and the salesman Captain Plunkett. The tone throughout is bubbly fun. It may have been aimed at the YA market, though I'm not entirely sure -- I think it's plenty entertaining for adults.

(As it happens, it was made into, of all things, a Soviet Era TV show, called 31 June, starring among others, Alexander Godunov.)

Thursday, February 22, 2018

Another Forgotten Ace Double: Vanguard from Alpha, by Brian W. Aldiss/The Changeling Worlds, by Kenneth Bulmer

Ace Double Reviews, 110: Vanguard from Alpha, by Brian W. Aldiss/The Changeling Worlds, by Kenneth Bulmer (#D-369, 1959, 35 cents)

a review by Rich Horton

I've written about both these writers before, and so I'll reproduce what I wrote:

Aldiss was born in 1925 to working class parents (his father a draper, his mother's father a builder). He was educated at Framlingham College and West Buckham School, and spent part of the Second World War in Burma. He worked at a bookseller after the War, and his first book was a lightly fictionalized account of a bookstore. He was an SF reader from an early age, and at the same time he was publishing his first mainstream book he was publishing his first SF stories in the magazines. Throughout his career he did distinguished work in SF and in mainstream fiction. I have found his work immensely enjoyable, and very varied in tone, style, subject matter, and structure. He also wrote a few memoirs, and I enjoyed the most complete of those, The Twinkling of an Eye, very much indeed. He won a couple of Hugo Awards, a Nebula, a Campbell, hordes of BSFA awards, and was named an SFWA Grand Master in 2000. He died just this past August, the day after his 92nd birthday.

Kenneth Bulmer, born in England in 1921, was a very prolific writer from the early '50s, under his own name and many others, most notably "Alan Burt Akers", the name under which he wrote the Dray Prescot series for DAW. He was primarily an SF writer, but also did a lot of work in other genres. He was editor of the New Writings in SF anthology series after the death of John Carnell. He died in 2005.

The novels at hand, I have to say, don't show their authors at their best. (Though Bulmer was never brilliant, so his book isn't as big of a falloff as Aldiss'.) The covers are the typical for that era Two Eds -- Valigursky for The Changeling Worlds, Emshwiller for Vanguard from Alpha.

Vanguard From Alpha was first published in New Worlds for September and October 1958, under the title Equator, which was certainly Aldiss' preferred title, and which was used for the British editions. I don't know if the Ace version differs much from the original serial -- it wouldn't shock me if there's some sex in Equator that was cut from Vanguard From Alpha -- but maybe not!
(Cover by Ed Emshwiller)

Curiously, Aldiss expanded the novel much later (1987), fixing up "Equator", a 1965 story called "The Impossible Smile", and a new novella, "The Mannerheim Symphony" into a book called The Year Before Yesterday. I haven't read that, and I don't know anything about it, but asked some people who have read it, and it's a pretty metafictional thing -- apparently, "Equator" is inserted into the novel by having one of the characters from the rest of the novel read it.

Vanguard From Alpha opens with a trio of men on a mission to the Moon base of the alien Rosk, who have come from Alpha Centauri asking for refuge on Earth. They have been granted an enclave on Sumatra, but there's a lot of distrust of their motives. And strange goings on at the Moon base have resulted in this mission. It goes badly, however -- Tyne Leslie, the protagonist, is shot, and when he wakes from his injuries he finds that one of his fellows, Allen Cunliffe, is dead -- the other man, Murray Mumford, says that he had to shoot Cunliffe.

But Mumford then disappears, and Leslie suspects him of foul play. And indeed he soon learns that Mumford is believed to have intercepted some important information, and is ready to betray the humans to the Rosk. Leslie is warned to leave all this investigation to the professionals, but he plunges headlong into things, and soon is captured by the Rosk, only to be saved from certain death by a beautiful Rosk woman.

It continues at a breakneck pace, Leslie whipsawed between an apparent peace faction among the Rosk, and Mumford's own story, and the reappearance of Allen Cunliffe, and the possibility of an invasion fleet from Alpha Centauri. Not to mention his fascination with Benda, the lovely Rosk woman ...

It's really pretty implausible stuff on pretty much every front (not least the apparent sexual compatibility of humans and Rosk). Aldiss by this time had already published his first significant SF novel, Non-Stop (aka Starship), as well as a successful mainstream book, The Brightfount Diaries -- I'm not really sure what he was up to with this -- just making a buck? Exercising his thriller muscles? His next New Worlds/Ace pairing -- X for Exploitation/Bow Down For Nul/The Interpreter -- is far more serious, far better, even if it too is pretty minor Aldiss.

As for The Changeling Worlds, it struck me as one of those stories where the author is making things up as he goes along, not figuring out what sort of story it will be until maybe halfway through. It's told in two threads. In one, Richard Makepeace Kirby is a bored member of The Set, a decadent group of wealthy people who spend their lives going from world to world and party to party, marrying for a few days at a time except when they buy a baby -- then you have to stay together for a year -- and duelling. Richard and his new wife Molly decide to get a baby, and somehow Richard (and Molly) begin to feel like they might like to stay together for a long time.

(Cover by Ed Valigursky)
In the other thread, John Hassett is on a secret mission to a Black Symbol world called Brighthaven. Black Symbol worlds are proscribed -- the locals are not supposed to know about the wider Galactic civilization, even though they sell their grain to the richer worlds in exchange for heavy equipment. But Brighthaven has decided to cut agricultural production -- and Hassett's predecessor has been murdered. He goes undercover as a tractor maintenance man, and quickly learns that religious leaders have been fomenting hatred of "aliens" (humans from other planets). Soon he is discovered and on the run.

Meanwhile Richard witnesses his brother, a missionary, get murdered at a Set party -- and Molly is almost killed in a duel. He gets an offer to do something with his life -- take a serious job, but that seems silly. Still, he and Molly and another couple hare off on a trip, while Richard decides to find who killed his brother. They also learn something about where their babies come from.

Well, no surprise -- there are wheels within wheels, and a totally crazy economic setup. Plus no rich person ever has a baby the natural way -- instead, babies are another product of the Black Symbol worlds. But the plans of the rabble-rousing priests are dangerous as well ... And of course at the end a sneering evil villain has to pop up ...

For a couple chapters I was kind of intrigued by some of this, but it quickly stopped making any real sense, either economically, or emotionally. You get the sense Bulmer had a notion that his audience deserved some cool ideas -- and he more or less offers those, but without thinking them through well at all. Not to mention some pretty standard '50s era sexism. Really not a very good book at all.